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Today's Stichomancy for Chris Elliott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jane Eyre by Charlotte Bronte:

into a quieter character, and we resumed our usual habits and regular studies, St. John stayed more at home: he sat with us in the same room, sometimes for hours together. While Mary drew, Diana pursued a course of encyclopaedic reading she had (to my awe and amazement) undertaken, and I fagged away at German, he pondered a mystic lore of his own: that of some Eastern tongue, the acquisition of which he thought necessary to his plans.

Thus engaged, he appeared, sitting in his own recess, quiet and absorbed enough; but that blue eye of his had a habit of leaving the outlandish-looking grammar, and wandering over, and sometimes fixing upon us, his fellow-students, with a curious intensity of


Jane Eyre
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Redheaded Outfield by Zane Grey:

up and faced the rustic twirler and softly said things to him.

He delivered the ball, and I could have yelled aloud, so fast, so straight, so true it sped toward me. Then I hit it harder than I had ever hit a ball in my life. The bat sprung, as if it were whalebone. And the ball took a bullet course between center and left. So beautiful a hit was it that I watched as I ran.

Out of the tail of my eye I saw the center fielder running. When I rounded first base I got


The Redheaded Outfield
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Voyage to Arcturus by David Lindsay:

"absorbing." It satisfied the hunger of the will, exactly as food satisfies the hunger of the body. Digrung proved feeble - he made little opposition. His personality passed slowly and evenly into Maskull's. The latter became strong and gorged. The victim gradually became paler and limper, until Maskull held a corpse in his arms. He dropped the body, and stood trembling. He had committed his second crime. He felt no immediate difference in his soul, but ...

Tydomin shed a sad smile on him, like winter sunshine. He half expected her to speak, but she said nothing. Instead, she made a sign to him to pick up Crimtyphon's corpse. As he obeyed, he

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ferragus by Honore de Balzac:

people who stand at their windows to see how a son deplores a mother as he follows her body; there are others who hire commodious seats to see how a head is made to fall. No people in the world have such insatiate eyes as the Parisians. On this occasion, inquisitive minds were particularly surprised to see the six lateral chapels at Saint- Roch also hung in black. Two men in mourning were listening to a mortuary mass said in each chapel. In the chancel no other persons but Monsieur Desmarets, the notary, and Jacquet were present; the servants of the household were outside the screen. To church loungers there was something inexplicable in so much pomp and so few mourners. But Jules had been determined that no indifferent persons should be present at


Ferragus