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Today's Stichomancy for Chris Elliott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Antonia by Willa Cather:

warm and sultry and put us both in a holiday humour. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the `incidental music' would be from the opera `Traviata,' which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about--though I seemed to remember having heard it was a piece in which great actresses shone. `The Count of Monte Cristo,' which I had seen James O'Neill play that winter, was by the only Alexandre Dumas I knew. This play, I saw, was by his son, and I expected a family resemblance. A couple of jack-rabbits, run in off the prairie, could not have


My Antonia
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

There was one among the lot, evidently the leader of them, who bore a close resemblance to the so-called Neanderthal man of La Chapelle-aux-Saints. There was the same short, stocky trunk upon which rested an enormous head habitually bent forward into the same curvature as the back, the arms shorter than the legs, and the lower leg considerably shorter than that of modern man, the knees bent forward and never straightened. This creature and one or two others who appeared to be of a lower order than he, yet higher than that of the apes, carried heavy clubs; the others were armed only with giant muscles and fighting fangs--nature's weapons. All were males, and all were entirely naked; nor was there upon


The Land that Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Kenilworth by Walter Scott:

as the cloak dropped on the floor, and showed him dressed as princes when they ride abroad; "thou art the good and well-tried steel, whose inly worth deserves, yet disdains, its outward ornaments. Do not think Amy can love thee better in this glorious garb than she did when she gave her heart to him who wore the russet-brown cloak in the woods of Devon."

"And thou too," said the Earl, as gracefully and majestically he led his beautiful Countess towards the chair of state which was prepared for them both--"thou too, my love, hast donned a dress which becomes thy rank, though it cannot improve thy beauty. What think'st thou of our court taste?"


Kenilworth
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Inland Voyage by Robert Louis Stevenson:

heady drums.

It was agreeable upon the river. A barge or two went past laden with hay. Reeds and willows bordered the stream; and cattle and grey venerable horses came and hung their mild heads over the embankment. Here and there was a pleasant village among trees, with a noisy shipping-yard; here and there a villa in a lawn. The wind served us well up the Scheldt and thereafter up the Rupel; and we were running pretty free when we began to sight the brickyards of Boom, lying for a long way on the right bank of the river. The left bank was still green and pastoral, with alleys of trees along the embankment, and here and there a flight of steps to serve a