The first excerpt represents the past or something you must release, and is drawn from Lin McLean by Owen Wister: in his native element. Then he travelled to Deming, and so through Denver
to Omaha, where he was told that his trunk had been sold for some months.
Besides a suit of clothes for town wear, it had contained a buffalo coat
for his brother--something scarce to see in these days.
"Frank'll have to get along without it," he observed, philosophically,
and took the next eastbound train.
If you journey in a Pullman from Mesa to Omaha without a waistcoat, and
with a silk handkerchief knotted over the collar of your flannel shirt
instead of a tie, wearing, besides, tall, high-heeled boots, a soft, gray
hat with a splendid brim, a few people will notice you, but not the
majority. New Mexico and Colorado are used to these things. As Iowa, with
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Happy Prince and Other Tales by Oscar Wilde: flute-playing. You must certainly see them."
So at the end of the King's garden a great stand had been set up,
and as soon as the Royal Pyrotechnist had put everything in its
proper place, the fireworks began to talk to each other.
"The world is certainly very beautiful," cried a little Squib.
"Just look at those yellow tulips. Why! if they were real crackers
they could not be lovelier. I am very glad I have travelled.
Travel improves the mind wonderfully, and does away with all one's
prejudices."
"The King's garden is not the world, you foolish squib," said a big
Roman Candle; "the world is an enormous place, and it would take
|
The third excerpt represents the future or something you must embrace, and is drawn from Life in the Iron-Mills by Rebecca Davis: himself, as if he would mutter down every pain in this dull
despair.
She followed him through the fog, her blue lips chattering with
cold. They reached the cellar at last. Old Wolfe had been
drinking since she went out, and had crept nearer the door. The
girl Janey slept heavily in the corner. He went up to her,
touching softly the worn white arm with his fingers. Some
bitterer thought stung him, as he stood there. He wiped the
drops from his forehead, and went into the room beyond, livid,
trembling. A hope, trifling, perhaps, but very dear, had died
just then out of the poor puddler's life, as he looked at the
 Life in the Iron-Mills |