| The first excerpt represents the past or something you must release, and is drawn from The Golden Threshold by Sarojini Naidu: must die to-morrow perhaps, or twenty years hence."
Then there was her humour, which was part of her strange wisdom,
and was always awake and on the watch. In all her letters,
written in exquisite English prose, but with an ardent imagery
and a vehement sincerity of emotion which make them, like the
poems, indeed almost more directly, un-English, Oriental, there
was always this intellectual, critical sense of humour, which
could laugh at one's own enthusiasm as frankly as that enthusiasm
had been set down. And partly the humour, like the delicate
reserve of her manner, was a mask or a shelter. "I have taught
myself," she writes to me from India, "to be commonplace and like
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Travels and Researches in South Africa by Dr. David Livingstone: formerly alight@mercury.interpath.net). To assure a high quality text,
the original was typed in (manually) twice and electronically compared.
[Note on text: Italicized words or phrases are CAPITALIZED.
Some obvious errors have been corrected.]
Missionary Travels and Researches in South Africa.
Also called, Travels and Researches in South Africa;
or, Journeys and Researches in South Africa.
By David Livingstone [British (Scot) Missionary and Explorer--1813-1873.]
David Livingstone was born in Scotland, received his medical degree
from the University of Glasgow, and was sent to South Africa
by the London Missionary Society. Circumstances led him to try to meet
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The third excerpt represents the future or something you must embrace, and is drawn from The Legend of Sleepy Hollow by Washington Irving: poultry; for, as she sagely observed, ducks and geese are foolish
things, and must be looked after, but girls can take care of
themselves. Thus, while the busy dame bustled about the house, or
plied her spinning-wheel at one end of the piazza, honest Balt
would sit smoking his evening pipe at the other, watching the
achievements of a little wooden warrior, who, armed with a sword
in each hand, was most valiantly fighting the wind on the
pinnacle of the barn. In the mean time, Ichabod would carry on
his suit with the daughter by the side of the spring under the
great elm, or sauntering along in the twilight, that hour so
favorable to the lover's eloquence.
 The Legend of Sleepy Hollow |