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Today's Stichomancy for Christian Bale

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bucolics by Virgil:

The very vineyards, cried aloud for you.

TITYRUS What could I do? how else from bonds be freed, Or otherwhere find gods so nigh to aid? There, Meliboeus, I saw that youth to whom Yearly for twice six days my altars smoke. There instant answer gave he to my suit, "Feed, as before, your kine, boys, rear your bulls."

MELIBOEUS So in old age, you happy man, your fields Will still be yours, and ample for your need!

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Michael Strogoff by Jules Verne:

sufficiently large numbers to arrest the progress of the Tar- tar columns. Since therefore it was impossible for Irkutsk to escape attack, the most important thing to be done was to put the town in a state to sustain a siege of some duration.

The preparations were begun on the day Tomsk fell into the hands of the Tartars. At the same time with this last news, the Grand Duke heard that the Emir of Bokhara and the allied Khans were directing the invasion in person, but what he did not know was, that the lieutenant of these barbarous chiefs was Ivan Ogareff, a Russian officer whom he had himself reduced to the ranks, but with whose person

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London:

use an unnecessarily harsh word--jilted a man -

LORETTA. [Interrupting, raising her head and looking at him.] Jilted? Oh Ned, if that were a all!

NED. [Hollow voice.] All!

[NED's hands slowly retreat from hers. He opens his mouth as though to speak further, then changes his mind and remains silent.]

LORETTA. [Protestingly.] But I don't want to marry him!

NED. Then I shouldn't.

LORETTA. But I ought to marry him.

NED. OUGHT to marry him? [LORETTA nods.] That is a strong word.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

Shelley, because the love which acts as a universal solvent in his Prometheus Unbound is a sentiment of affectionate benevolence which has nothing to do with sexual passion. It might, and in fact does exist in the absence of any sexual interest whatever. The words mercy and kindness connote it less ambiguously than the word love. But Wagner sought always for some point of contact between his ideas and the physical senses, so that people might not only think or imagine them in the eighteenth century fashion, but see them on the stage, hear them from the orchestra, and feel them through the infection of passionate emotion. Dr. Johnson kicking the stone to confute Berkeley is not more bent on