| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dunwich Horror by H. P. Lovecraft: It was as though a house, launched by an avalanche, had slid down
through the tangled growths of the almost vertical slope. From
below no sound came, but only a distant, undefinable foetor; and
it is not to be wondered at that the men preferred to stay on
the edge and argue, rather than descend and beard the unknown
Cyclopean horror in its lair. Three dogs that were with the party
had barked furiously at first, but seemed cowed and reluctant
when near the glen. Someone telephoned the news to the Aylesbury
Transcript; but the editor, accustomed to wild tales from Dunwich,
did no more than concoct a humorous paragraph about it; an item
soon afterwards reproduced by the Associated Press.
 The Dunwich Horror |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ebb-Tide by Stevenson & Osbourne: death and life appear indifferent. To and fro he paced like a
caged brute; his mind whirling through the universe of thought
and memory; his eyes, as he went, skimming the legends on the
wall. The crumbling whitewash was all full of them: Tahitian
names, and French, and English, and rude sketches of ships
under sail and men at fisticuffs.
It came to him of a sudden that he too must leave upon these
walls the memorial of his passage. He paused before a clean
space, took the pencil out, and pondered. Vanity, so hard to
dislodge, awoke in him. We call it vanity at least; perhaps
unjustly. Rather it was the bare sense of his existence prompted
|