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Today's Stichomancy for Christina Aguilera

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To-morrow by Joseph Conrad:

his way to not saying any more about it. In other matters he was quite rational, so this, too, was bound to come. Such was the barber's firm opin- ion.

Nobody had ever contradicted him; his own hair had gone grey since that time, and Captain Hag- berd's beard had turned quite white, and had ac- quired a majestic flow over the No. 1 canvas suit, which he had made for himself secretly with tarred twine, and had assumed suddenly, coming out in it one fine morning, whereas the evening before he


To-morrow
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Research Magnificent by H. G. Wells:

relationship to Mrs. Skelmersdale, a relationship in which her pride had become suddenly a matter of tremendous importance. Once he had launched himself upon this affair, it was clear to him that he owed it to her never to humiliate her. And to go back upon himself now would be a tremendous humiliation for her. You see, he had helped her a little financially. And she looked to him, she wanted him. . . .

She wasn't, he knew, altogether respectable. Indeed, poor dear, her ethical problems, already a little worn, made her seem at times anything but respectable. He had met her first one evening at Jimmy Gluckstein's when he was forming his opinion of Art. Her manifest want of interest in pictures had attracted him. And that had led to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Several Works by Edgar Allan Poe:

like his countrymen, was a quack-- but in the matter of old wines he was sincere. In this respect I did not differ from him materially: I was skillful in the Italian vintages myself, and bought largely whenever I could.

It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him, that I thought I should never have done wringing his hand.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Seraphita by Honore de Balzac:

"By whom?" cried Wilfrid, approaching Seraphita with a frenzied movement, as if to fling her into the foaming basin of the Sieg.

She looked at him and slowly extended her arm, pointing to Minna, who now sprang towards her, fair and glowing and lovely as the flowers she held in her hand.

"Child!" said Seraphitus, advancing to meet her.

Wilfrid remained where she left him, motionless as the rock on which he stood, lost in thought, longing to let himself go into the torrent of the Sieg, like the fallen trees which hurried past his eyes and disappeared in the bosom of the gulf.

"I gathered them for you," said Minna, offering the bunch of


Seraphita