| The first excerpt represents the past or something you must release, and is drawn from Ion by Plato: in this way at a festival when he is surrounded by his friends and there is
nothing to trouble him. Ion is confident that Socrates would never think
him mad if he could only hear his embellishments of Homer. Socrates asks
whether he can speak well about everything in Homer. 'Yes, indeed he can.'
'What about things of which he has no knowledge?' Ion answers that he can
interpret anything in Homer. But, rejoins Socrates, when Homer speaks of
the arts, as for example, of chariot-driving, or of medicine, or of
prophecy, or of navigation--will he, or will the charioteer or physician or
prophet or pilot be the better judge? Ion is compelled to admit that every
man will judge of his own particular art better than the rhapsode. He
still maintains, however, that he understands the art of the general as
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Red Seal by Natalie Sumner Lincoln: be said for Turnbull: he was the soul of honor, his affairs were
found to be in excellent condition, he was drawing a good salary,
his investments paying well - he did not need to acquire securities
or money by resorting to forgery."
"Whereas Philip Rochester was on the point of bankruptcy," remarked
Ferguson. "Do you suppose he forged Colonel McIntyre's letter and
gave it to Turnbull, and the latter got the securities from the bank
treasurer and handed them over to Rochester in good faith, supposing
his room-mate would give the papers to Colonel McIntyre?"
Kent nodded in agreement. "It looks that way to me," he said
gloomily. "Philip Rochester stood well in the community, his law
 The Red Seal |
The third excerpt represents the future or something you must embrace, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw: Harris can allege in support of his broken-heart theory. But even if
Shakespear had had no failures, it was not possible for a man of his
powers to observe the political and moral conduct of his
contemporaries without perceiving that they were incapable of dealing
with the problems raised by their own civilization, and that their
attempts to carry out the codes of law and to practise the religions
offered to them by great prophets and law-givers were and still are so
foolish that we now call for The Superman, virtually a new species, to
rescue the world from mismanagement. This is the real sorrow of great
men; and in the face of it the notion that when a great man speaks
bitterly or looks melancholy he must be troubled by a disappointment
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