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Today's Stichomancy for Chuck Norris

The first excerpt represents the past or something you must release, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

customs, the outrages upon their church, the excesses of the foreign nobles, the disgraceful domination of the Jews on Christian soil, and all that had aroused and deepened the stern hatred of the Cossacks for a long time past. Hetman Ostranitza, young, but firm in mind, led the vast Cossack force. Beside him was seen his old and experienced friend and counsellor, Gunya. Eight leaders led bands of twelve thousand men each. Two osauls and a bunchuzhniy assisted the hetman. A cornet-general carried the chief standard, whilst many other banners and standards floated in the air; and the comrades of the staff bore the golden staff of the hetman, the symbol of his office. There were also many other officials belonging to the different bands, the


Taras Bulba and Other Tales
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

dampness, even in dry weather, gave the look of being daubed with fresh plaster. Between the stones of this court was a filthy and stinking black substance, left by the sugars and the molasses that once occupied it. Only one of the bedrooms had a chimney, all the walls were without paper, and the floors were tiled with brick.

Since early morning Gaudissart and Popinot, helped by a journeyman whose services the commercial traveller had invoked, were busily employed in stretching a fifteen-sous paper on the walls of these horrible rooms, the workman pasting the lengths. A collegian's mattress on a bedstead of red wood, a shabby night-stand, an old- fashioned bureau, one table, two armchairs, and six common chairs, the


Rise and Fall of Cesar Birotteau
The third excerpt represents the future or something you must embrace, and is drawn from Songs of Travel by Robert Louis Stevenson:

XXX. TO PRINCESS KAIULANI - Forth form her land to mine she goes XXXI. TO MOTHER MARYANNE - To see the infinite pity of this place XXXII. IN MEMORIAM E. H. - I knew a silver head was bright beyond compare XXXIII. TO MY WIFE - Long must elapse ere you behold again XXXIV. TO MY OLD FAMILIARS - Do you remember - can we e'er forget? XXXV. The tropics vanish, and meseems that I XXXVI. TO S. C. - I heard the pulse of the besieging sea XXXVII. THE HOUSE OF TEMBINOKA - Let us, who part like brothers, part like bards XXXVIII. THE WOODMAN - In all the grove, not stream nor bird XXXIX. TROPIC RAIN - As the single pang of the blow, when the metal is