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Today's Stichomancy for Cindy Crawford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Merry Men by Robert Louis Stevenson:

pleasure like a child. The sound stirred my sympathies, it was so fresh and innocent; but as I bettered my pace to draw near, the cry of the squirrel knocked upon my heart. I have heard and seen much of the cruelty of lads, and above all of peasants; but what I now beheld struck me into a passion of anger. I thrust the fellow aside, plucked the poor brute out of his hands, and with swift mercy killed it. Then I turned upon the torturer, spoke to him long out of the heat of my indignation, calling him names at which he seemed to wither; and at length, pointing toward the residencia, bade him begone and leave me, for I chose to walk with men, not with vermin. He fell upon his knees, and, the words coming to him

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Men of Iron by Howard Pyle:

"to the buttery, and see him fed; and then to Sir James Lee, and have his name entered in the castle books. And stay, sirrah," he added; "bid me Sir James, if it may be so done, to enter him as a squire-at-arms. Methinks he will be better serving so than in the household, for he appeareth a soothly rough cub for a page."

Myles did look rustic enough, standing clad in frieze in the midst of that gay company, and a murmur of laughter sounded around, though he was too bewildered to fully understand that he was the cause of the merriment. Then some hand drew him back--it was Gascoyne's--there was a bustle of people passing, and the next minute they were gone, and Myles and old Diccon Bowman and


Men of Iron
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tom Sawyer Abroad by Mark Twain:

see the Ohio come in; then you want to look sharp, because you're getting near. Away up to your left you'll see another thread coming in -- that's the Missouri and is a little above St. Louis. You'll come down low then, so as you can examine the villages as you spin along. You'll pass about twenty-five in the next fifteen minutes, and you'll recognize ours when you see it -- and if you don't, you can yell down and ask."

"Ef it's dat easy, Mars Tom, I reckon we kin do it -- yassir, I knows we kin."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gambara by Honore de Balzac:

perfection of a work of art limits its suggestiveness to the recipient soul. Is not this proved by the preference accorded to a sketch rather than a finished picture when on their trial before those who interpret a work in their own mind rather than accept it rounded off and complete?

The purest and serenest music that Andrea had ever listened to rose up from under Gambara's fingers like the vapor of incense from an altar. The composer's voice grew young again, and, far from marring the noble melody, it elucidated it, supported it, guided it,--just as the feeble and quavering voice of an accomplished reader, such as Andrieux, for instance, can expand the meaning of some great scene by Corneille or


Gambara