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Today's Stichomancy for Cindy Crawford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Gift of the Magi by O. Henry:

are wisest. They are the magi.

End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.


The Gift of the Magi
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Love and Friendship by Jane Austen:

purpose as soon as I left the Carriage, I went to the Basket and tenderly enquired after their Health, expressing my fears of the uneasiness of their situation. At first they seemed rather confused at my appearance dreading no doubt that I might call them to account for the money which our Grandfather had left me and which they had unjustly deprived me of, but finding that I mentioned nothing of the Matter, they desired me to step into the Basket as we might there converse with greater ease. Accordingly I entered and whilst the rest of the party were devouring green tea and buttered toast, we feasted ourselves in a more refined and sentimental Manner by a confidential Conversation. I informed them


Love and Friendship
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Crowd by Gustave le Bon:

individualities which react upon the remainder and are imitated by the unconscious mass. It is needful however, that these individualities should not be in too pronounced disagreement with received ideas. Were they so, to imitate them would be too difficult and their influence would be nil. For this very reason men who are too superior to their epoch are generally without influence upon it. The line of separation is too strongly marked. For the same reason too Europeans, in spite of all the advantages of their civilisation, have so insignificant an influence on Eastern people; they differ from them to too great an extent.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

better the police cell and the chances of a jury trial, than the miserable certainty of death at a dyke-side before the next winter's dawn, or death a little later in the gas- lighted wards of an infirmary.

He rose on aching legs, and stumbled here and there among the rubbish heaps, still circumvented by the yawning crater of the quarry; or perhaps he only thought so, for the darkness was already dense, the snow was growing thicker, and he moved like a blind man, and with a blind man's terrors. At last he climbed a fence, thinking to drop into the road, and found himself staggering, instead, among the iron furrows of a