| The first excerpt represents the past or something you must release, and is drawn from Richard III by William Shakespeare: There's nothing differs but the outward fame.
Enter the two MURDERERS
FIRST MURDERER. Ho! who's here?
BRAKENBURY. What wouldst thou, fellow, and how cam'st
thou hither?
FIRST MURDERER. I would speak with Clarence, and I came
hither on my legs.
BRAKENBURY. What, so brief?
SECOND MURDERER. 'Tis better, sir, than to be tedious. Let
him see our commission and talk no more.
[BRAKENBURY reads it]
Richard III |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Duchess of Padua by Oscar Wilde: by the hand.]
MORANZONE
[in a low voice]
She did it! Nay, I saw it in her eyes.
Boy, dost thou think I'll let thy father's son
Be by this woman butchered to his death?
Her husband sold your father, and the wife
Would sell the son in turn.
GUIDO
Lord Moranzone,
I alone did this thing: be satisfied,
|
The third excerpt represents the future or something you must embrace, and is drawn from Kenilworth by Walter Scott: apartments decorated with sufficient splendour? I gave the most
unbounded order, and, methinks, it has been indifferently well
obeyed; but if thou canst tell me aught which remains to be done,
I will instantly give direction."
"Nay, my lord, now you mock me," replied the Countess; "the
gaiety of this rich lodging exceeds my imagination as much as it
does my desert. But shall not your wife, my love--at least one
day soon--be surrounded with the honour which arises neither from
the toils of the mechanic who decks her apartment, nor from the
silks and jewels with which your generosity adorns her, but which
is attached to her place among the matronage, as the avowed wife
Kenilworth |
