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Today's Stichomancy for Clint Eastwood

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Age of Innocence by Edith Wharton:

his companion seemed to negative; then they shook hands, and he jumped into his carriage while she mounted the steps.

When she entered the room she showed no surprise at seeing Archer there; surprise seemed the emotion that she was least addicted to.

"How do you like my funny house?" she asked. "To me it's like heaven."

As she spoke she untied her little velvet bonnet and tossing it away with her long cloak stood looking at him with meditative eyes.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lesser Hippias by Plato:

entered the lists at Olympia I have never found any man who was my superior in anything. (Compare Gorgias.)

SOCRATES: What an ornament, Hippias, will the reputation of your wisdom be to the city of Elis and to your parents! But to return: what say you of Odysseus and Achilles? Which is the better of the two? and in what particular does either surpass the other? For when you were exhibiting and there was company in the room, though I could not follow you, I did not like to ask what you meant, because a crowd of people were present, and I was afraid that the question might interrupt your exhibition. But now that there are not so many of us, and my friend Eudicus bids me ask, I wish you would tell me what you were saying about these two heroes, so that I may

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Importance of Being Earnest by Oscar Wilde:

pause.] You don't think there is any chance of Gwendolen becoming like her mother in about a hundred and fifty years, do you, Algy?

ALGERNON. All women become like their mothers. That is their tragedy. No man does. That's his.

JACK. Is that clever?

ALGERNON. It is perfectly phrased! and quite as true as any observation in civilised life should be.

JACK. I am sick to death of cleverness. Everybody is clever nowadays. You can't go anywhere without meeting clever people. The thing has become an absolute public nuisance. I wish to goodness we had a few fools left.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

derived from some animal and ape-like creature. Of that I am not going to speak now. My subject is: How this creature called man, from whatever source derived, became civilised, rational, and moral. And I am sorry to say that there is tacked on by many to the first theory, another which does not follow from it, and which has really nothing to do with it, and it is this: That man, with all his wonderful and mysterious aspirations, always unfulfilled yet always precious, at once his torment and his joy, his very hope of everlasting life; that man, I say, developed himself, unassisted, out of a state of primaeval brutishness, simply by calculations of pleasure and pain, by observing what actions would pay in the long