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Today's Stichomancy for Clive Barker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Altar of the Dead by Henry James:

the thing would be a matter of arrangement. He saw it all in advance, and how bright in especial the place would become to him in the intermissions of toil and the dusk of afternoons; how rich in assurance at all times, but especially in the indifferent world. Before withdrawing he drew nearer again to the spot where he had first sat down, and in the movement he met the lady whom he had seen praying and who was now on her way to the door. She passed him quickly, and he had only a glimpse of her pale face and her unconscious, almost sightless eyes. For that instant she looked faded and handsome.

This was the origin of the rites more public, yet certainly

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Merry Men by Robert Louis Stevenson:

hysterically, swallowing air, the picture of guilt.

'You knew where it was put?' resumed the inquisitor.

'Yes,' from Jean-Marie.

'You say you have been a thief before,' continued Casimir. 'Now how am I to know that you are not one still? I suppose you could climb the green gate?'

'Yes,' still lower, from the culprit.

'Well, then, it was you who stole these things. You know it, and you dare not deny it. Look me in the face! Raise your sneak's eyes, and answer!'

But in place of anything of that sort Jean-Marie broke into a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Louis Lambert by Honore de Balzac:

burning passion, he might perhaps have yielded to the most irresistible desire that came over him to kill the young man on whom the lady's looks beamed. Was not this a reversion, in the heart of the Paris world, to the savage passion that regards women as its prey, an effect of animal instinct combining with the almost luminous flashes of a soul crushed under the weight of thought? In short, was it not the prick of the penknife so vividly imagined by the boy, felt by the man as the thunderbolt of his most vital craving--for love?

And now, here is the letter that depicts the state of his mind as it was struck by the spectacle of Parisian civilization. His feelings, perpetually wounded no doubt in that whirlpool of self-interest, must


Louis Lambert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

They had always been controlled through the hypnotic suggestions of the Old Ones, and had modeled their tough plasticity into various useful temporary limbs and organs; but now their self-modeling powers were sometimes exercised independently, and in various imitative forms implanted by past suggestion. They had, it seems, developed a semistable brain whose separate and occasionally stubborn volition echoed the will of the Old Ones without always obeying it. Sculptured images of these Shoggoths filled Danforth and me with horror and loathing. They were normally shapeless entities composed of a viscous jelly which looked like an agglutination of bubbles, and


At the Mountains of Madness