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Today's Stichomancy for Clyde Barrow

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Within the Tides by Joseph Conrad:

belief in his wisdom - or his sagacity. But it was he who had first helped Renouard in his plans of exploration: the five-years' programme of scientific adventure, of work, of danger and endurance, carried out with such distinction and rewarded modestly with the lease of Malata island by the frugal colonial government. And this reward, too, had been due to the journalist's advocacy with word and pen - for he was an influential man in the community. Doubting very much if Renouard really liked him, he was himself without great sympathy for a certain side of that man which he could not quite make out. He only felt it obscurely to be his real personality - the true - and, perhaps, the absurd. As, for


Within the Tides
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Water-Babies by Charles Kingsley:

that two of the most heart-rending sights in the world, which moved him most to tears, which he would do anything to prevent or remedy, were a child over a broken toy and a child stealing sweets.

The company did not laugh at him; his moustaches were too long and too gray for that: but, after he was gone, they called him sentimental and so forth, all but one dear little old Quaker lady with a soul as white as her cap, who was not, of course, generally partial to soldiers; and she said very quietly, like a Quaker:

"Friends, it is borne upon my mind that that is a truly brave man."

Now you may fancy that Tom was quite good, when he had everything that he could want or wish: but you would be very much mistaken.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from House of Mirth by Edith Wharton:

still conspicuous in the world to which they aspired; and she was not above a certain enjoyment in dazzling them by her fineness, in developing their puzzled perception of her superiorities.

Perhaps, however, her enjoyment proceeded more than she was aware from the physical stimulus of the excursion, the challenge of crisp cold and hard exercise, the responsive thrill of her body to the influences of the winter woods. She returned to town in a glow of rejuvenation, conscious of a clearer colour in her cheeks, a fresh elasticity in her muscles. The future seemed full of a vague promise, and all her apprehensions were swept out of sight

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tono Bungay by H. G. Wells:

factories, gasometers and wide reeking swamps of dingy little homes, more of them and more and more. The number of these and their dinginess and poverty increased, and here rose a great public house and here a Board School and there a gaunt factory; and away to the east there loomed for a time a queer, incongruous forest of masts and spars. The congestion of houses intensified and piled up presently into tenements; I marveled more and more at this boundless world of dingy people; whiffs of industrial smell, of leather, of brewing, drifted into the carriage; the sky darkened, I rumbled thunderously over bridges, van-crowded streets, peered down on and crossed the Thames with an abrupt