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Today's Stichomancy for Coco Chanel

The first excerpt represents the past or something you must release, and is drawn from The Enchanted Island of Yew by L. Frank Baum:

handsome to look upon--that they began to murmur together excitedly, and something in the new sensations he experienced gave to the king's face likewise an expression of surprise. Knowing from their pleased looks that he must have improved in appearance, he found courage to raise his hand to his nose, and found it well formed. Then he touched his eyes, and realized they were looking straight out from his face, like those of other people.

For some moments after making these discoveries the king remained motionless, a smile of joy gradually spreading over his features. Then he said, aloud:

"What has happened? Why do you all look so startled?"


The Enchanted Island of Yew
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Time Machine by H. G. Wells:

him in profile from the right, the Psychologist from the left. The Very Young Man stood behind the Psychologist. We were all on the alert. It appears incredible to me that any kind of trick, however subtly conceived and however adroitly done, could have been played upon us under these conditions.

The Time Traveller looked at us, and then at the mechanism. `Well?' said the Psychologist.

`This little affair,' said the Time Traveller, resting his elbows upon the table and pressing his hands together above the apparatus, `is only a model. It is my plan for a machine to travel through time. You will notice that it looks singularly


The Time Machine
The third excerpt represents the future or something you must embrace, and is drawn from The Importance of Being Earnest by Oscar Wilde:

ALGERNON. My dear fellow, the way you flirt with Gwendolen is perfectly disgraceful. It is almost as bad as the way Gwendolen flirts with you.

JACK. I am in love with Gwendolen. I have come up to town expressly to propose to her.

ALGERNON. I thought you had come up for pleasure? . . . I call that business.

JACK. How utterly unromantic you are!

ALGERNON. I really don't see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually