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Today's Stichomancy for Coco Chanel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Taming of the Shrew by William Shakespeare:

You understand me?

BIONDELLO. I, sir! Ne'er a whit.

LUCENTIO. And not a jot of Tranio in your mouth: Tranio is changed to Lucentio.

BIONDELLO. The better for him: would I were so too!

TRANIO. So could I, faith, boy, to have the next wish after, That Lucentio indeed had Baptista's youngest daughter.


The Taming of the Shrew
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Golden Threshold by Sarojini Naidu:

My soul is bent low with the pain And the burden of love, like the grace Of a flower that is smitten with rain: O shelter my soul from thy face!

TO MY FAIRY FANCIES

Nay, no longer I may hold you, In my spirit's soft caresses, Nor like lotus-leaves enfold you In the tangles of my tresses. Fairy fancies, fly away To the white cloud-wildernesses,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Secret Adversary by Agatha Christie:

"There's nothing to tell," said Tommy, acutely uncomfortable. "I was an awful mug--right up to the time I found that photograph of Annette, and realized that she was Jane Finn. Then I remembered how persistently she had shouted out that word 'Marguerite'--and I thought of the pictures, and--well, that's that. Then of course I went over the whole thing to see where I'd made an ass of myself."

"Go on," said Mr. Carter, as Tommy showed signs of taking refuge in silence once more.

"That business about Mrs. Vandemeyer had worried me when Julius told me about it. On the face of it, it seemed that he or Sir


Secret Adversary
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

Cristo's voice had awakened her from a dream; and she resumed her narrative. "It was about four o'clock in the afternoon, and although the day was brilliant out-of-doors, we were enveloped in the gloomy darkness of the cavern. One single, solitary light was burning there, and it appeared like a star set in a heaven of blackness; it was Selim's flaming lance. My mother was a Christian, and she prayed. Selim repeated from time to time the sacred words: `God is great!' However, my mother had still some hope. As she was coming down, she thought she recognized the French officer who had been sent to Constantinople, and in whom my father


The Count of Monte Cristo