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Today's Stichomancy for Coco Chanel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dunwich Horror by H. P. Lovecraft:

old man to enable him to accomplish so much hard labour; and though he still babbled dementedly at times, his carpentry seemed to show the effects of sound calculation. It had already begun as soon as Wilbur was born, when one of the many tool sheds had been put suddenly in order, clapboarded, and fitted with a stout fresh lock. Now, in restoring the abandoned upper storey of the house, he was a no less thorough craftsman. His mania showed itself only in his tight boarding-up of all the windows in the reclaimed section - though many declared that it was a crazy thing to bother with the reclamation at all. Less inexplicable was his fitting up


The Dunwich Horror
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Muse of the Department by Honore de Balzac:

The three devotees /en titre/ each submitted to these exorbitant demands on their mind and attention, in hope of a crowning triumph, when at last Dinah should become human; for neither of them was so bold as to imagine that Dinah would give up her innocence as a wife till she should have lost all her illusions. In 1826, when she was surrounded by adorers, Dinah completed her twentieth year, and the Abbe Duret kept her in a sort of fervid Catholicism; so her worshipers had to be content to overwhelm her with little attentions and small services, only too happy to be taken for the carpet-knights of this sovereign lady, by strangers admitted to spend an evening or two at La Baudraye.


The Muse of the Department
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Eugenie Grandet by Honore de Balzac:

smoke through the cracks of her brown face.

"Read it, mademoiselle!"

"Ah, Nanon, why did he return to Paris? He went from Saumur."

"Read it, and you'll find out."

Eugenie opened the letter with trembling fingers. A cheque on the house of "Madame des Grassins and Coret, of Saumur," fluttered down. Nanon picked it up.

My dear Cousin,--

"No longer 'Eugenie,'" she thought, and her heart quailed.

You--

"He once said 'thou.'" She folded her arms and dared not read another


Eugenie Grandet
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

One put out her tongue at me, the other bade me follow the cows; and they both giggled and jogged each other's elbows. The Beast of Gevaudan ate about a hundred children of this district; I began to think of him with sympathy.

Leaving the girls, I pushed on through the bog, and got into another wood and upon a well-marked road. It grew darker and darker. Modestine, suddenly beginning to smell mischief, bettered the pace of her own accord, and from that time forward gave me no trouble. It was the first sign of intelligence I had occasion to remark in her. At the same time, the wind freshened into half a gale, and another heavy discharge of rain came flying up out of the