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Today's Stichomancy for Colin Farrell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Euthyphro by Plato:

hardly be regarded as a general definition.

Euthyphro replies, that 'Piety is what is dear to the gods, and impiety is what is not dear to them.' But may there not be differences of opinion, as among men, so also among the gods? Especially, about good and evil, which have no fixed rule; and these are precisely the sort of differences which give rise to quarrels. And therefore what may be dear to one god may not be dear to another, and the same action may be both pious and impious; e.g. your chastisement of your father, Euthyphro, may be dear or pleasing to Zeus (who inflicted a similar chastisement on his own father), but not equally pleasing to Cronos or Uranus (who suffered at the hands of their sons).

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Kidnapped by Robert Louis Stevenson:

of the house, who had hitherto pretended to have no English, and driven me from his door by signals, suddenly began to speak as clearly as was needful, and agreed for five shillings to give me a night's lodging and guide me the next day to Torosay.

I slept uneasily that night, fearing I should be robbed; but I might have spared myself the pain; for my host was no robber, only miserably poor and a great cheat. He was not alone in his poverty; for the next morning, we must go five miles about to the house of what he called a rich man to have one of my guineas changed. This was perhaps a rich man for Mull; he would have scarce been thought so in the south; for it took all he had --


Kidnapped
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Women by Louisa May Alcott:

so much her `feet chattered on the floor', she never told her mother, and she ran away, declaring she would never go there any more, not even for the dear piano. No persuasions or enticements could overcome her fear, till, the fact coming to Mr. Laurence's ear in some mysterious way, he set about mending matters. During one of the brief calls he made, he artfully led the conversation to music, and talked away about great singers whom he had seen, fine organs he had heard, and told such charming anecdotes that Beth found it impossible to stay in her distant corner, but crept nearer and nearer, as if fascinated. At the back of his chair she stopped and stood


Little Women
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Frankenstein by Mary Shelley:

of new hopes, I was seized by remorse and the sense of guilt, which hurried me away to a hell of intense tortures such as no language can describe.

This state of mind preyed upon my health, which had perhaps never entirely recovered from the first shock it had sustained. I shunned the face of man; all sound of joy or complacency was torture to me; solitude was my only consolation--deep, dark, deathlike solitude.

My father observed with pain the alteration perceptible in my disposition and habits and endeavoured by arguments deduced from the feelings of his serene conscience and guiltless life to inspire


Frankenstein