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Today's Stichomancy for Colin Farrell

The first excerpt represents the past or something you must release, and is drawn from Lady Windermere's Fan by Oscar Wilde:

love, and that sort of thing, and he has got some woman in his rooms all the time.

LORD AUGUSTUS. No, really! really!

CECIL GRAHAM. [In a low voice.] Yes, here is her fan. [Points to the fan.]

LORD AUGUSTUS. [Chuckling.] By Jove! By Jove!

LORD WINDERMERE. [Up by door.] I am really off now, Lord Darlington. I am sorry you are leaving England so soon. Pray call on us when you come back! My wife and I will be charmed to see you!

LORD DARLINGTON. [Up sage with LORD WINDERMERE.] I am afraid I

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tono Bungay by H. G. Wells:

reality, of things and relations alike. Nothing is simple. Every wrong done has a certain justice in it, and every good deed has dregs of evil. As for us, young still, and still without self-knowledge, resounded a hundred discordant notes in the harsh angle of that shock. We were furiously angry with each other, tender with each other, callously selfish, generously self-sacrificing.

I remember Marion saying innumerable detached things that didn't hang together one with another, that contradicted one another, that were, nevertheless, all in their places profoundly true and sincere. I see them now as so many vain experiments in her

The third excerpt represents the future or something you must embrace, and is drawn from The Great God Pan by Arthur Machen:

one nasty winter night about three months ago; I had had a capital dinner and a good bottle of Chianti, and I stood for a moment on the pavement, thinking what a mystery there is about London streets and the companies that pass along them. A bottle of red wine encourages these fancies, Clarke, and I dare say I should have thought a page of small type, but I was cut short by a beggar who had come behind me, and was making the usual appeals. Of course I looked round, and this beggar turned out to be what was left of an old friend of mine, a man named Herbert. I asked him how he had come to such a wretched pass, and he told me. We walked up and down one of those long and


The Great God Pan