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Today's Stichomancy for Colin Farrell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Songs of Innocence and Experience by William Blake:

THE LITTLE BOY LOST

'Father, father, where are you going? O do not walk so fast! Speak, father, speak to your little boy, Or else I shall be lost.'

The night was dark, no father was there, The child was wet with dew; The mire was deep, and the child did weep, And away the vapour flew.

THE LITTLE BOY FOUND

The little boy lost in the lonely fen,


Songs of Innocence and Experience
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Rescue by Joseph Conrad:

main topsail, and heard distinctly the thud of the first wave thrown off by the advancing bows. The next minute the tow-line got the strain and his boat started hurriedly after the brig with a sudden jerk.

Leaning forward, wide awake and attentive, Carter steered. His men sat one behind another with shoulders up, and arched backs, dozing, uncomfortable but patient, upon the thwarts. The care requisite to steer the boat properly in the track of the seething and disturbed water left by the brig in her rapid course prevented him from reflecting much upon the incertitude of the future and upon his own unusual situation.


The Rescue
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ballads by Robert Louis Stevenson:

And I vow we sniffed the victuals as the vessel went about.

The bells upon the church were rung with a mighty jovial cheer; For it's just that I should tell you how (of all days in the year) This day of our adversity was blessed Christmas morn, And the house above the coastguard's was the house where I was born.

O well I saw the pleasant room, the pleasant faces there, My mother's silver spectacles, my father's silver hair; And well I saw the firelight, like a flight of homely elves, Go dancing round the china-plates that stand upon the shelves.

And well I knew the talk they had, the talk that was of me, Of the shadow on the household and the son that went to sea;


Ballads
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

enemy at various points and proved conclusively that his position was untenable. They celebrated these paper victories with Sara Lee's tea, and went away the better for an hour or so of hope and tea and a girl's soft voice and quiet eyes.

Now and then there was one, of course, who lagged behind his fellows, with a yearning tenderness in his face that a glance from the girl would have quickly turned to love. But Sara Lee had no coquetry. When, as occasionally happened, there was a bit too much fervor when her hand was kissed, she laid it where it belonged - to loneliness and the spring - and became extremely maternal and very, very kind. Which - both of them - are death blows to young love.