Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Colin Powell

The first excerpt represents the past or something you must release, and is drawn from Of The Nature of Things by Lucretius:

The mighty vaults of sky- so grievously, As gathers thus the storm-clouds' gruesome night, Do faces of black horror hang on high- Of which how small a part an image is There's none to tell or reckon out in words. Now come; with what swift motion they are borne, These images, and what the speed assigned To them across the breezes swimming on- So that o'er lengths of space a little hour Alone is wasted, toward whatever region Each with its divers impulse tends- I'll tell


Of The Nature of Things
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Philosophy 4 by Owen Wister:

out smoothly. Then the cause of all this spoke to them from a gate.

"Come as near spillin' as you boys wanted, I guess," remarked the cause.

They looked, and saw him in huge white shirt-sleeves, shaking with joviality. "If you kep' at it long enough you might a-most learn to drive a horse," he continued, eying Bertie. This came as near direct praise as the true son of our soil--Northern or Southern--often thinks well of. Bertie was pleased, but made a modest observation, and "Are we near the tavern?" he asked. "Bird-in-Hand!" the son of the soil echoed; and he contemplated them from his gate. That's me," he stated, with complacence. "Bill Diggs of the Bird-in-Hand has been me since April, '65." His massy hair had been yellow, his broad body must have weighed

The third excerpt represents the future or something you must embrace, and is drawn from Poems by T. S. Eliot:

Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons; I know the voices dying with a dying fall Beneath the music from a farther room. So how should I presume?

And I have known the eyes already, known them all-- The eyes that fix you in a formulated phrase, And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin To spit out all the butt-ends of my days and ways?