| The first excerpt represents the past or something you must release, and is drawn from The Works of Samuel Johnson by Samuel Johnson: business to accumulate; others, more refined or
exalted, congratulate their own hearts upon the
future extent of their reputation, the reverence of
distant nations, and the gratitude of unprejudiced
posterity.
They whose souls are so chained down to coffers
and tenements, that they cannot conceive a state in
which they shall look upon them with less solicitude,
are seldom attentive or flexible to arguments; but
the votaries of fame are capable of reflection, and
therefore may be called to reconsider the probability
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Scarlet Letter by Nathaniel Hawthorne: actual banquet, seemed to bring the savour of pig or turkey under
one's very nostrils. There were flavours on his palate that had
lingered there not less than sixty or seventy years, and were
still apparently as fresh as that of the mutton chop which he had
just devoured for his breakfast. I have heard him smack his lips
over dinners, every guest at which, except himself, had long been
food for worms. It was marvellous to observe how the ghosts of
bygone meals were continually rising up before him -- not in
anger or retribution, but as if grateful for his former
appreciation, and seeking to repudiate an endless series of
enjoyment. at once shadowy and sensual, A tender loin of beef, a
 The Scarlet Letter |
The third excerpt represents the future or something you must embrace, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton: "interesting": on that point I could have given Miss Croft the
fullest reassurance. It was just because she was NOT
interesting--if I may be pardoned the bull--that I found her so.
For Jack, all his life, had been surrounded by interesting women:
they had fostered his art, it had been reared in the hot-house of
their adulation. And it was therefore instructive to note what
effect the "deadening atmosphere of mediocrity" (I quote Miss
Croft) was having on him.
I have mentioned that Mrs. Gisburn was rich; and it was
immediately perceptible that her husband was extracting from this
circumstance a delicate but substantial satisfaction. It is, as
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