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Today's Stichomancy for David Beckham

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Arizona Nights by Stewart Edward White:

peaks across the way--and all the canon below us filled with whirling mists--and the steel stars leaving us one by one? Where could I find room for that in English paddocks? And do you recall the day we trailed across the Yuma deserts, and the sun beat into our skulls, and the dry, brittle hills looked like papier-mache, and the grey sage-bush ran off into the rise of the hills; and then came sunset and the hard, dry mountains grew filmy, like gauze veils of many colours, and melted and glowed and faded to slate blue, and the stars came out? The English hills are rounded and green and curried, and the sky is near, and the stars only a few miles up. And do you recollect that dark

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Recruit by Honore de Balzac:

with military hardships. Though the moon was shining on the meadows about Carentan, he had noticed heavy clouds on the horizon, and the fear of being overtaken by a tempest may have hurried his steps, which were certainly more brisk than his evident lassitude could have desired. On his back was an almost empty bag, and he held in his hand a boxwood stick, cut from the tall broad hedges of that shrub, which is so frequent in Lower Normandy.

This solitary wayfarer entered Carentan, the steeples of which, touched by the moonlight, had only just appeared to him. His step woke the echoes of the silent streets, but he met no one until he came to the shop of a weaver, who was still at work. From him he inquired his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Some Reminiscences by Joseph Conrad:

detached, impersonal glance upon themselves.

And that's a pity. They are unlucky. These two kinds, together with the much larger band of the totally unimaginative, of those unfortunate beings in whose empty and unseeing gaze (as a great French writer has put it) "the whole universe vanishes into blank nothingness," miss, perhaps, the true task of us men whose day is short on this earth, the abode of conflicting opinions. The ethical view of the universe involves us at last in so many cruel and absurd contradictions, where the last vestiges of faith, hope, charity, and even of reason itself, seem ready to perish, that I have come to suspect that the aim of creation cannot be


Some Reminiscences
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

the head--pausing, however, in the act, to wonder what manner of child was here. It was as if the spirit had gone out of him, leaving the body to flourish in a sort of vegetable existence. Not that Owen Warland was idiotic. He could talk, and not irrationally. Somewhat of a babbler, indeed, did people begin to think him; for he was apt to discourse at wearisome length of marvels of mechanism that he had read about in books, but which he had learned to consider as absolutely fabulous. Among them he enumerated the Man of Brass, constructed by Albertus Magnus, and the Brazen Head of Friar Bacon; and, coming down to later times, the automata of a little coach and horses, which it was pretended


Mosses From An Old Manse