| The first excerpt represents the past or something you must release, and is drawn from Through the Looking-Glass by Lewis Carroll: a Rocking-horse-fly, if you look. It's made entirely of wood,
and gets about by swinging itself from branch to branch.'
`What does it live on?' Alice asked, with great curiosity.
`Sap and sawdust,' said the Gnat. `Go on with the list.'
Alice looked up at the Rocking-horse-fly with great interest,
and made up her mind that it must have been just repainted, it
looked so bright and sticky; and then she went on.
`And there's the Dragon-fly.'
`Look on the branch above your head,' said the Gnat, `and there
you'll find a snap-dragon-fly. Its body is made of plum-pudding,
its wings of holly-leaves, and its head is a raisin burning in
 Through the Looking-Glass |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Amazing Interlude by Mary Roberts Rinehart: in France with a man she had never seen three days before; that she knew
nothing whatever about that man; that, for the present at least, she was
utterly and absolutely dependent on him, even for the food she ate - it
was all of a piece with the night's voyage and the little room at the
Savoy. And it was none of it real.
When the breakfast tray came Henri was again at the window and silent.
And Sara Lee saw that it was laid for two. She was a little startled,
but the businesslike way in which the young officer drew up two chairs
and held one out for her made protest seem absurd. And the flat-faced
boy, who waited, looked unshocked and uninterested.
It was not until she had had some coffee that Henri followed up his
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The third excerpt represents the future or something you must embrace, and is drawn from Before Adam by Jack London: light fan of air drifted the smoke away at the time so
that I saw clearly. He broke out through the smoke,
stepping on a burning coal and screaming with the
sudden hurt of it, and essayed to climb up the cliff.
The arrows showered about him. He came to a pause on a
ledge, clutching a knob of rock for support, gasping
and sneezing and shaking his head. He swayed back and
forth. The feathered ends of a dozen arrows were
sticking out of him. He was an old man, and he did not
want to die. He swayed wider and wider, his knees
giving under him, and as he swayed he wailed most
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