| The first excerpt represents the past or something you must release, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: beautiful night, and one wildly singular in its terror and its
beauty. A whirlwind had apparently collected its force in our
vicinity; for there were frequent and violent alterations in the
direction of the wind; and the exceeding density of the clouds
(which hung so low as to press upon the turrets of the house) did
not prevent our perceiving the lifelike velocity with which they
flew careering from all points against each other, without
passing away into the distance. I say that even their exceeding
density did not prevent our perceiving this--yet we had no
glimpse of the moon or stars--nor was there any flashing forth of
the lightning. But the under surfaces of the huge masses of
 The Fall of the House of Usher |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Some Reminiscences by Joseph Conrad: calm, uniform backs, and the long ends of blue veils hanging
behind far down over their identical hat-brims. His two
daughters surely. An industrious luggage-mule, with unstarched
ears and guarded by a slouching, sallow driver, brought up the
rear. My tutor, after pausing for a look and a faint smile,
resumed his earnest argument.
I tell you it was a memorable year! One does not meet such an
Englishman twice in a lifetime. Was he in the mystic ordering of
common events the ambassador of my future, sent out to turn the
scale at a critical moment on the top of an Alpine pass, with the
peaks of the Bernese Oberland for mute and solemn witnesses? His
 Some Reminiscences |
The third excerpt represents the future or something you must embrace, and is drawn from Wuthering Heights by Emily Bronte: BED-RUMES thear is - yon's mine.'
He pointed into the second garret, only differing from the first in
being more naked about the walls, and having a large, low,
curtainless bed, with an indigo-coloured quilt, at one end.
'What do I want with yours?' I retorted. 'I suppose Mr. Heathcliff
does not lodge at the top of the house, does he?'
'Oh! it's Maister HATHECLIFF'S ye're wanting?' cried he, as if
making a new discovery. 'Couldn't ye ha' said soa, at onst? un'
then, I mud ha' telled ye, baht all this wark, that that's just one
ye cannut see - he allas keeps it locked, un' nob'dy iver mells
on't but hisseln.'
 Wuthering Heights |