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Today's Stichomancy for David Bowie

The first excerpt represents the past or something you must release, and is drawn from De Profundis by Oscar Wilde:

that, I need not say that I am not alluding to any external sanction or command. I admit none. I am far more of an individualist than I ever was. Nothing seems to me of the smallest value except what one gets out of oneself. My nature is seeking a fresh mode of self-realisation. That is all I am concerned with. And the first thing that I have got to do is to free myself from any possible bitterness of feeling against the world.

I am completely penniless, and absolutely homeless. Yet there are worse things in the world than that. I am quite candid when I say that rather than go out from this prison with bitterness in my heart against the world, I would gladly and readily beg my bread

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Human Drift by Jack London:

magazines. At left a punching-bag apparatus. At right, against wall, a desk, on which rests a desk-telephone. Door at rear toward left. On walls are framed pictures of pugilists, conspicuous among which is one of Robert Fitzsimmons. Appropriate furnishings, etc., such as foils, clubs, dumb-bells and trophies.

[Enter MAUD SYLVESTER.]

[She is dressed as a man, in evening clothes, preferably a Tuxedo. In her hand is a card, and under her arm a paper-wrapped parcel. She peeps about curiously and advances to table. She is timorous and excited, elated and at the same time frightened. Her eyes are dancing with excitement.]

The third excerpt represents the future or something you must embrace, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

I stopped for him to understand that I thought it time for him to leave me. He sprang into the saddle.

"Give us good-by!" he said, bringing his horse close to me.

"We are not on equal terms; I feel too humble afoot to salute you."

"Put your foot on the stirrup then."

A leaf stuck in the horse's forelock, and I pulled it off and waved it in token of farewell. A powerful light shot into his eyes when he saw my hand close on the leaf.

"May I come and see you?" he asked, abruptly. "I will."

"I shall say neither 'No' or 'Yes.'"