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Today's Stichomancy for David Geffen

The first excerpt represents the past or something you must release, and is drawn from The Marriage Contract by Honore de Balzac:

husbands a talent for divining the wishes of their wives."

"It is nothing else," replied Paul. "But see how late it is; I ought to go."

"Why leave so soon to-night?" said Madame Evangelista, employing those coaxing ways to which men are so sensitive.

Though all this passed on the best of terms, and according to the laws of the most exquisite politeness, the effect of the discussion of these contending interests had, nevertheless, cast between son and mother-in-law a seed of distrust and enmity which was liable to sprout under the first heat of anger, or the warmth of a feeling too harshly bruised. In most families the settlement of "dots" and the deeds of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Jerusalem Delivered by Torquato Tasso:

Whose beauty matchless, free from reprehension, A wonder left by Heaven to after-livers, -- Among the Christian lord had bred contention Who first should quench his flames in Cupid's rivers, While all her weapons and her darts rehearsed, Had not Godfredo's constant bosom pierced.

LXII To change his modest thought the dame procureth, And proffereth heaps of love's enticing treasure: But as the falcon newly gorged endureth Her keeper lure her oft, but comes at leisure;

The third excerpt represents the future or something you must embrace, and is drawn from A Personal Record by Joseph Conrad:

contemporaries; I have outlived my wife and daughter, too--and from all those who have had some knowledge at least of these old times you alone are left. It has been my lot to lay in an early grave many honest hearts, many brilliant promises, many hopes full of life."

He got up briskly, sighed, and left me saying, "We will dine in half an hour."

Without moving, I listened to his quick steps resounding on the waxed floor of the next room, traversing the anteroom lined with bookshelves, where he paused to put his chibouk in the pipe-stand before passing into the drawing-room (these were all en suite),


A Personal Record