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Today's Stichomancy for David Geffen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Life on the Mississippi by Mark Twain:

around after a person to get him to pay for. And that's a coffin. Undertaking?--why it's the dead-surest business in Christendom, and the nobbiest.

'Why, just look at it. A rich man won't have anything but your very best; and you can just pile it on, too--pile it on and sock it to him--he won't ever holler. And you take in a poor man, and if you work him right he'll bust himself on a single lay-out. Or especially a woman. F'r instance: Mrs. O'Flaherty comes in--widow--wiping her eyes and kind of moaning. Unhandkerchiefs one eye, bats it around tearfully over the stock; says--

' "And fhat might ye ask for that wan?"

' "Thirty-nine dollars, madam," says I.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tom Sawyer Abroad by Mark Twain:

we traveled with them, and the more we got used to their ways, the better and better we liked them, and the gladder and gladder we was that we run across them. We had come to know some of them so well that we called them by name when we was talking about them, and soon got so familiar and sociable that we even dropped the Miss and Mister and just used their plain names without any handle, and it did not seem unpolite, but just the right thing. Of course, it wasn't their own names, but names we give them. There was Mr. Elexander Robinson and Miss Adaline

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Off on a Comet by Jules Verne:

the man to puzzle himself for long over any insoluble problem. "Come what may," he presently exclaimed, "we will make up our minds for the future to be surprised at nothing."

"Right, captain," replied Ben Zoof; "and, first of all, let us settle our little score with Count Timascheff."

Beyond the ditch lay a small piece of meadow land, about an acre in extent. A soft and delicious herbage carpeted the soil, whilst trees formed a charming framework to the whole. No spot could have been chosen more suitable for the meeting between the two adversaries.

Servadac cast a hasty glance round. No one was in sight.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales of Unrest by Joseph Conrad:

bough, every tendril of creeper and every petal of minute blossoms seemed to have been bewitched into an immobility perfect and final. Nothing moved on the river but the eight paddles that rose flashing regularly, dipped together with a single splash; while the steersman swept right and left with a periodic and sudden flourish of his blade describing a glinting semicircle above his head. The churned-up water frothed alongside with a confused murmur. And the white man's canoe, advancing upstream in the short-lived disturbance of its own making, seemed to enter the portals of a land from which the very memory of motion had forever departed.

The white man, turning his back upon the setting sun, looked along the


Tales of Unrest