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Today's Stichomancy for David Letterman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Through the Looking-Glass by Lewis Carroll:

The Knight shook his head. `It was all kinds of fastness with me, I can assure you!' he said. He raised his hands in some excitement as he said this, and instantly rolled out of the saddle, and fell headlong into a deep ditch.

Alice ran to the side of the ditch to look for him. She was rather startled by the fall, as for some time he had kept on very well, and she was afraid that he really WAS hurt this time. However, though she could see nothing but the soles of his feet, she was much relieved to hear that he was talking on in his usual tone. `All kinds of fastness,' he repeated: `but it was careless of him to put another man's helmet on--with the man in


Through the Looking-Glass
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Jerusalem Delivered by Torquato Tasso:

When thunders forged are in Typhoius' bed, Not Brontes' hammer falls so swift, so right; The furious stroke fell on Rinaldo's crest, And made him bend his head down to his breast.

CXX The champion in his stirrups high upstart, And cleft his hauberk hard and tender side, And sheathed his weapon in the Pagan's heart, The castle where man's life and soul do bide; The cruel sword his breast and hinder part With double wound unclosed, and opened wide;

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

And very fairly fashioned was her face. Yet for Love's shame and sweet humility, She dared not meet him with their queenlike grace.

To an Aeolian Harp

The winds have grown articulate in thee, And voiced again the wail of ancient woe That smote upon the winds of long ago: The cries of Trojan women as they flee, The quivering moan of pale Andromache, Now lifted loud with pain and now brought low. It is the soul of sorrow that we know,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Message by Honore de Balzac:

know, regard those airy perches on the top of the coach as the best seats; and for the first few miles I discovered abundance of excellent reasons for justifying the opinion of our neighbors. A young fellow, apparently in somewhat better circumstances, who came to take the seat beside me from preference, listened to my reasoning with inoffensive smiles. An approximate nearness of age, a similarity in ways of thinking, a common love of fresh air, and of the rich landscape scenery through which the coach was lumbering along,--these things, together with an indescribable magnetic something, drew us before long into one of those short-lived traveller's intimacies, in which we unbend with