Today's Stichomancy for Denzel Washington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Horse's Tale by Mark Twain:

always a-working and always red-hot, and she can't keep quiet. Well, yesterday it was 'Please, Miss Cathy, don't do that'; and, 'Please, Miss Cathy, let that alone'; and, 'Please, Miss Cathy, don't make so much noise'; and so on and so on, till I reckon I had found fault fourteen times in fifteen minutes; then she looked up at me with her big brown eyes that can plead so, and said in that odd little foreign way that goes to your heart,

"'Please, mammy, make me a compliment."

"And of course you did it, you old fool?"

"Marse Tom, I just grabbed her up to my breast and says, 'Oh, you po' dear little motherless thing, you ain't got a fault in the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Gift of the Magi by O. Henry:

and receive gifts, such as they are wisest. Everywhere they

are wisest. They are the magi.

End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.

The Gift of the Magi

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

the lean flushed man in bed, who interested you so little, was in a state of mind extremely mingled and unpleasant: harassed with work which he thought he was not doing well, troubled with difficulties to which you will in time succeed, and yet looking forward to no less a matter than a voyage to the South Seas and the visitation of savage and desert islands. -Your father's friend,

ROBERT LOUIS STEVENSON.

Letter: TO HENRY JAMES

MANASQUAN (AHEM!), NEW JERSEY, MAY 28TH, 1888.

MY DEAR JAMES, - With what a torrent it has come at last! Up to now, what I like best is the first number of a LONDON LIFE. You

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Return of the Native by Thomas Hardy:

the reddleman. He had stood in the shoes of Tantalus, and seemed to look upon a certain mass of disappointment as the natural preface to all realizations, without which preface they would give cause for alarm.

The same hour the next evening found him again at the same place; but Eustacia and Wildeve, the expected trysters, did not appear.

He pursued precisely the same course yet four nights longer, and without success. But on the next, being the day-week of their previous meeting, he saw a female shape floating along the ridge and the outline of a young man ascending

Return of the Native