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Today's Stichomancy for Donald Rumsfeld

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Faith of Men by Jack London:

over his shoulder. "In the meantime meditate on your sins and the ways of Providence. It will do you good, so be grateful."

As is the way with men who are accustomed to great hazards, whose nerves are healthy and trained in patience, so it was with Leclere who settled himself to the long wait--which is to say that he reconciled his mind to it. There was no settling of the body, for the taut rope forced him to stand rigidly erect. The least relaxation of the leg muscles pressed the rough-fibred noose into his neck, while the upright position caused him much pain in his wounded shoulder. He projected his under lip and expelled his breath upwards along his face to blow the mosquitoes away from his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collected Articles by Frederick Douglass:

in sailor fashion carelessly and loosely about my neck. My knowledge of ships and sailor's talk came much to my assistance, for I knew a ship from stem to stern, and from keelson to cross-trees, and could talk sailor like an "old salt." I was well on the way to Havre de Grace before the conductor came into the negro car to collect tickets and examine the papers of his black passengers. This was a critical moment in the drama. My whole future depended upon the decision of this conductor. Agitated though I was while this ceremony was proceeding, still, externally, at least, I was apparently calm and self-possessed. He went on with his duty--examining several colored passengers before reaching me. He was somewhat harsh in tome and peremptory

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

way to Saint-Leu. Madame Guillaume, surprised at this manly delicacy, honored her husband with a nod of approval. So the procession left the house in such order as to suggest no suspicious meaning to the neighbors.

"Does it not seem to you, Mademoiselle Augustine," said the assistant, and he trembled, "that the wife of a merchant whose credit is as good as Monsieur Guillaume's, for instance, might enjoy herself a little more than Madame your mother does? Might wear diamonds--or keep a carriage? For my part, if I were to marry, I should be glad to take all the work, and see my wife happy. I would not put her into the counting-house. In the drapery business, you see, a woman is not so

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Betty Zane by Zane Grey:

unjustly scorned and insulted the man to whom she owed the life of her brother.

Betty was passionate and quick-tempered, but she was generous and tender-hearted as well, and when she realized how unkind and cruel she kind been she felt very miserable. Her position admitted of no retreat. No matter how much pride rebelled; no matter how much she disliked to retract anything she had said, she knew no other course lay open to her. She would have to apologize to Mr. Clarke. How could she? What would she say? She remembered how cold and stern his face had been as he turned from her to Lydia. Perplexed and unhappy, Betty did what any girl in her position would have done: she resorted to the consoling and unfailing privilege of her sex--a good cry.


Betty Zane