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Today's Stichomancy for Donald Rumsfeld

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

repeating rifles, but this armament is not to be compared with machine-gun firing, as the latter with its capacity to pour 400 to 600 shots a minute, is far more deadly, particularly when the weapon is manipulated by a crack gunner.

Up to the present the offensive armament of aeroplanes has been confined to light machine guns such as the Hotchkiss, Berthier, Schwartlose, and Maxim weapons. So far as the arming of aeroplanes is concerned the indispensable condition is light weight. With airships this factor is not so vital, the result being that some dirigibles are mounted with guns, throwing one pound bursting shells, fitted either with delay action or

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Romeo and Juliet by William Shakespeare:

Cankred with peace, to part your Cankred hate, If euer you disturbe our streets againe, Your liues shall pay the forfeit of the peace. For this time all the rest depart away: You Capulet shall goe along with me, And Mountague come you this afternoone, To know our Fathers pleasure in this case: To old Free-towne, our common iudgement place: Once more on paine of death, all men depart.

Exeunt.

Moun. Who set this auncient quarrell new abroach?


Romeo and Juliet
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Europeans by Henry James:

and then she looked at the glowing bed of anthracite coal in the grate. "Did you ever see anything so hideous as that fire?" she demanded. "Did you ever see anything so--so affreux as--as everything?" She spoke English with perfect purity; but she brought out this French epithet in a manner that indicated that she was accustomed to using French epithets.

"I think the fire is very pretty," said the young man, glancing at it a moment. "Those little blue tongues, dancing on top of the crimson embers, are extremely picturesque. They are like a fire in an alchemist's laboratory."

"You are too good-natured, my dear," his companion declared.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lesson of the Master by Henry James:

The tone of the question was singularly flattering to our hero, who felt it to imply the great man's now perceiving he had for years missed something. "Partly, I suppose, because there has been no particular reason why you should see me. I haven't lived in the world - in your world. I've spent many years out of England, in different places abroad."

"Well, please don't do it any more. You must do England - there's such a lot of it."

"Do you mean I must write about it?" and Paul struck the note of the listening candour of a child.

"Of course you must. And tremendously well, do you mind? That