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Today's Stichomancy for Douglas MacArthur

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fables by Robert Louis Stevenson:

was to die, and evil triumph.

"I have been grossly deceived," cried the virtuous person.

"All is lost now," said the priest.

"I wonder if it is too late to make it up with the devil?" said the virtuous person.

"Oh, I hope not," said the priest. "And at any rate we can but try. But what are you doing with your axe?" says he to the rover.

"I am off to die with Odin," said the rover.

XVIII. - THE TOUCHSTONE.

THE King was a man that stood well before the world; his smile was sweet as clover, but his soul withinsides was as little as a pea.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Alkahest by Honore de Balzac:

To Madame Claes the sense of knowing nothing of a science which absorbed her husband filled her with a vexation as keen as the beauty of a rival might have caused. The struggle of woman against woman gives to her who loves the most the advantage of loving best; but a mortification like this only proved Madame Claes's powerlessness and humiliated the feelings by which she lived. She was ignorant; and she had reached a point where her ignorance parted her from her husband. Worse than all, last and keenest torture, he was risking his life, he was often in danger--near her, yet far away, and she might not share, nor even know, his peril. Her position became, like hell, a moral prison from which there was no issue, in which there was no hope.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Odyssey by Homer:

therefore, for a moment pretending to think that scholars generally acquiesce in my conclusions, I shall act as thinking them little likely so to gainsay me as that it will be incumbent upon me to reply, and shall confine myself to translating the "Odyssey" for English readers, with such notes as I think will be found useful. Among these I would especially call attention to one on xxii. 465-473 which Lord Grimthorpe has kindly allowed me to make public.

I have repeated several of the illustrations used in "The Authoress of the Odyssey", and have added two which I hope may bring the outer court of Ulysses' house more vividly before the


The Odyssey
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Kenilworth by Walter Scott:

with scorn. You can apply to no magistrate for aid or countenance; and you are hunting, therefore, a shadow in water, and will only (excuse my plainness) come by ducking and danger in attempting to catch it."

"I will appeal to the Earl of Leicester," said Tressilian, "against the infamy of his favourite. He courts the severe and strict sect of Puritans. He dare not, for the sake of his own character, refuse my appeal, even although he were destitute of the principles of honour and nobleness with which fame invests him. Or I will appeal to the Queen herself."

"Should Leicester," said the landlord, "be disposed to protect


Kenilworth