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Today's Stichomancy for Douglas MacArthur

The first excerpt represents the past or something you must release, and is drawn from Eve and David by Honore de Balzac:

You yourself, madame, would then be the proprietor of the plant in the printing-office. You would sell the business, no doubt; it is quite worth twenty thousand francs. I will undertake to find you a buyer at that price.

"Now if you draw up a deed of partnership with the MM. Cointet, and receive fifteen thousand francs of capital; and if you invest it in the funds at the present moment, it will bring you in an income of two thousand francs. You can live on two thousand francs in the provinces. Bear in mind, too, madame, that, given certain contingencies, there will be yet further payments. I say 'contingencies,' because we must lay our accounts with failure.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

feast on simnel bread and malmsey, that you must needs burden me still further with the affliction of thy vile tongue?

"Hast thou the clothes ready bundled and the key, also, to this gate to perdition? And the room: didst set to rights the furnishings I had delivered here, and sweep the century-old accumulation of filth and cob- webs from the floor and rafters? Why, the very air reeked of the dead Romans who builded London twelve hundred years ago. Methinks, too, from the stink, they must have been Roman swineherd who habited this sty


The Outlaw of Torn
The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

long improvised dirges will ring for ever in my ears. Among other things, I hold painfully in mind a certain singular perversion and amplification of the wild air of the last waltz of Von Weber. From the paintings over which his elaborate fancy brooded, and which grew, touch by touch, into vagueness at which I shuddered the more thrillingly, because I shuddered knowing not why;--from these paintings (vivid as their images now are before me) I would in vain endeavour to educe more than a small portion which should lie within the compass of merely written words. By the utter simplicity, by the nakedness of his designs, he arrested and overawed attention. If ever mortal painted an idea,


The Fall of the House of Usher