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Today's Stichomancy for Douglas MacArthur

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Sergius by Leo Tolstoy:

Occasionally some angry housewife scolded him, or a drunken peasant reviled him, but for the most part he was given food and drink and even something to take with him. His noble bearing disposed some people in his favour, while others on the contrary seemed pleased at the sight of a gentleman who had come to beggary.

But his gentleness prevailed with everyone.

Often, finding a copy of the Gospels in a hut he would read it aloud, and when they heard him the people were always touched and surprised, as at something new yet familiar.

When he succeeded in helping people, either by advice, or by his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Black Arrow by Robert Louis Stevenson:

soaked among dead leaves; and beyond that, again, the trees were better grown and stood wider, and oak and beech began to take the place of willow and elm. The continued tossing and pouring of the wind among the leaves sufficiently concealed the sounds of his footsteps on the mast; it was for the ear what a moonless night is to the eye; but for all that Dick went cautiously, slipping from one big trunk to another, and looking sharply about him as he went. Suddenly a doe passed like a shadow through the underwood in front of him, and he paused, disgusted at the chance. This part of the wood had been certainly deserted, but now that the poor deer had run, she was like a messenger he should have sent before him to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Massimilla Doni by Honore de Balzac:

last night on earth. After one final effort, our Mother shall have her child again--the Adriatic will silence my last sigh--"

"Are you idiotic?" cried Vendramin. "No; you are mad; for madness, the crisis we despise, is the memory of an antecedent condition acting on our present state of being. The genius of my dreams has taught me that, and much else! You want to make one of the Duchess and la Tinti; nay, dear Emilio, take them separately; it will be far wiser. Raphael alone ever united form and idea. You want to be the Raphael of love; but chance cannot be commanded. Raphael was a 'fluke' of God's creation, for He foreordained that form and idea should be antagonistic; otherwise nothing could live. When the first cause is

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Prufrock/Other Observations by T. S. Eliot:

And I have known the arms already, known them all-- Arms that are braceleted and white and bare (But in the lamplight, downed with light brown hair!) Is it perfume from a dress That makes me so digress? Arms that lie along a table, or wrap about a shawl. And should I then presume? And how should I begin?

* * * *

Shall I say, I have gone at dusk through narrow streets And watched the smoke that rises from the pipes


Prufrock/Other Observations