| The first excerpt represents the past or something you must release, and is drawn from Treasure Island by Robert Louis Stevenson:
Treasure Island |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne: growing wild, as if an unearthly face had glared at him out of
the thicket. Several also would have shocked a delicate instinct
by an appearance of artificialness indicating that there had been
such commixture, and, as it were, adultery, of various vegetable
species, that the production was no longer of God's making, but
the monstrous offspring of man's depraved fancy, glowing with
only an evil mockery of beauty. They were probably the result of
experiment, which in one or two cases had succeeded in mingling
plants individually lovely into a compound possessing the
questionable and ominous character that distinguished the whole
growth of the garden. In fine, Giovanni recognized but two or
Mosses From An Old Manse |
The third excerpt represents the future or something you must embrace, and is drawn from Poems of William Blake by William Blake: Yet I am visited from heaven and he that smiles on all
Walks in the valley, and each morn over me spreads his hand
Saying, rejoice thou humble grass, thou new-born lily flower.
Thou gentle maid of silent valleys and of modest brooks:
For thou shall be clothed in light, and fed with morning manna:
Till summers heat melts thee beside the fountains and the springs
To flourish in eternal vales: they why should Thel complain.
Why should the mistress of the vales of Har, utter a sigh.
She ceasd & smild in tears, then sat down in her silver shrine.
Thel answerd, O thou little virgin of the peaceful valley.
Giving to those that cannot crave, the voiceless, the o'er tired
Poems of William Blake |
