| The first excerpt represents the past or something you must release, and is drawn from Charmides and Other Poems by Oscar Wilde: Was journeying Paphos-ward, high up afar
From mortal ken between the mountains and the morning star,
And when low down she spied the hapless pair,
And heard the Oread's faint despairing cry,
Whose cadence seemed to play upon the air
As though it were a viol, hastily
She bade her pigeons fold each straining plume,
And dropt to earth, and reached the strand, and saw their dolorous
doom.
For as a gardener turning back his head
To catch the last notes of the linnet, mows
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs: hysteria of fanaticism, the first gush of their
victim's warm blood, that they might fill their golden
goblets and drink to the glory of their Flaming God.
The brutal and bloody interruption by Tha, the mad
priest, passed vividly before the ape-man's
recollective eyes, the flight of the votaries before
the insane blood lust of the hideous creature, the
brutal attack upon La, and his own part of the grim
tragedy when he had battled with the infuriated Oparian
and left him dead at the feet of the priestess he would
have profaned.
 Tarzan and the Jewels of Opar |
The third excerpt represents the future or something you must embrace, and is drawn from Moby Dick by Herman Melville: whose freezing spray cased us in ice, as in polished armor. The long
rows of teeth on the bulwarks glistened in the moonlight; and like
the white ivory tusks of some huge elephant, vast curving icicles
depended from the bows.
Lank Bildad, as pilot, headed the first watch, and ever and anon, as
the old craft deep dived into the green seas, and sent the shivering
frost all over her, and the winds howled, and the cordage rang, his
steady notes were heard,--
"Sweet fields beyond the swelling flood,
Stand dressed in living green.
So to the Jews old Canaan stood,
 Moby Dick |