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Today's Stichomancy for Edgar Allan Poe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

others, like the taboo against harming an enemy who had contracted blood-friendship with one of your own tribe, or against giving decent burial to a murderer, were equally rough and rude expressions or indications of the growing moral sentiment of mankind. All the same there would be left, in any case, a large residuum of taboos which could only be judged as senseless, and the mere rubbish of the savage mind.

So much for the first origins of the World-religion; and I think enough has been said in the various chapters of this book to show that the same general process has obtained


Pagan and Christian Creeds
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Theaetetus by Plato:

guardians whom he left, and of whom our friend Theodorus is one, are unwilling to give any help, and therefore I suppose that I must take up his cause myself, and see justice done?

THEODORUS: Not I, Socrates, but rather Callias, the son of Hipponicus, is guardian of his orphans. I was too soon diverted from the abstractions of dialectic to geometry. Nevertheless, I shall be grateful to you if you assist him.

SOCRATES: Very good, Theodorus; you shall see how I will come to the rescue. If a person does not attend to the meaning of terms as they are commonly used in argument, he may be involved even in greater paradoxes than these. Shall I explain this matter to you or to Theaetetus?

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

world of lumber, old wood, old iron; a blacksmith's forge on one side, half buried in the leaves of dwarf madronas; and on the other, an old brown wooden house.

Fanny and I dashed at the house. It consisted of three rooms, and was so plastered against the hill, that one room was right atop of another, that the upper floor was more than twice as large as the lower, and that all three apartments must be entered from a different side and level. Not a window-sash remained.

The door of the lower room was smashed, and one panel hung in splinters. We entered that, and found a fair amount of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dunwich Horror by H. P. Lovecraft:

Strange and terrible books were drawn voluminously from the stack shelves and from secure places of storage; and diagrams and formulae were copied with feverish haste and in bewildering abundance. Of scepticism there was none. All three had seen the body of Wilbur Whateley as it lay on the floor in a room of that very building, and after that not one of them could feel even slightly inclined to treat the diary as a madman's raving. Opinions were divided as to notifying the Massachusetts State Police, and the negative finally won. There were things involved which simply could not be believed by those who had not seen a sample, as indeed was


The Dunwich Horror