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Today's Stichomancy for Edgar Allan Poe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Soul of Man by Oscar Wilde:

understand Christ. Even Art shows us that. The painters of the Renaissance drew Christ as a little boy playing with another boy in a palace or a garden, or lying back in his mother's arms, smiling at her, or at a flower, or at a bright bird; or as a noble, stately figure moving nobly through the world; or as a wonderful figure rising in a sort of ecstasy from death to life. Even when they drew him crucified they drew him as a beautiful God on whom evil men had inflicted suffering. But he did not preoccupy them much. What delighted them was to paint the men and women whom they admired, and to show the loveliness of this lovely earth. They painted many religious pictures - in fact, they painted far too

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

anything I said, even when I said the most solemn things. I don't think I liked it, Marilla, because I wasn't trying to be funny. But she is a most hospitable lady and treated us royally."

Friday brought going-home time, and Mr. Barry drove in for the girls.

"Well, I hope you've enjoyed yourselves," said Miss Barry, as she bade them good-bye.

"Indeed we have," said Diana.

"And you, Anne-girl?"

"I've enjoyed every minute of the time," said Anne, throwing her arms impulsively about the old woman's neck and kissing her wrinkled cheek. Diana would never have dared to do such a thing


Anne of Green Gables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

gathering myself together I "sakked" with such marvelous success that I cleared a good hundred and fifty feet; nor did I this time, lose my equilibrium, but landed squarely upon my feet without falling. I then returned by easy jumps of twenty- five or thirty feet to the little group of warriors.

My exhibition had been witnessed by several hundred lesser Martians, and they immediately broke into demands for a repetition, which the chieftain then ordered me to make; but I was both hungry and thirsty, and determined on the spot that my only method of salvation was to demand the consideration from these creatures which they evidently would

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Euthydemus by Plato:

expense of the brothers. But he restrains himself, remembering that if the men who are to be his teachers think him stupid they will take no pains with him. Another fallacy is produced which turns on the absoluteness of the verb 'to know.' And here Dionysodorus is caught 'napping,' and is induced by Socrates to confess that 'he does not know the good to be unjust.' Socrates appeals to his brother Euthydemus; at the same time he acknowledges that he cannot, like Heracles, fight against a Hydra, and even Heracles, on the approach of a second monster, called upon his nephew Iolaus to help. Dionysodorus rejoins that Iolaus was no more the nephew of Heracles than of Socrates. For a nephew is a nephew, and a brother is a brother, and a father is a father, not of one man only, but of all; nor of