Today's Stichomancy for Edgar Allan Poe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maitre Cornelius by Honore de Balzac:

to leave his apartment, and he went at once to the door of the strong- room. He was not a little astonished to see, as he went along, the marks of a large foot along the stairways and corridors of the house. Carefully avoiding those precious footprints, he followed them to the door of the treasure-room, which he found locked without a sign of fracture or defacement. Then he studied the direction of the steps; but as they grew gradually fainter, they finally left not the slightest trace, and it was impossible for him to discover where the robber had fled.

"Ho, crony!" called out the king, "you have been finely robbed this time."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Soul of a Bishop by H. G. Wells:

Daphne had remained seated at the table.

"Are we never to go to church again?" she asked, as if at a loss.

(17)

Scrope went back into his little study. He felt shy and awkward with his daughters now. He felt it would be difficult to get back to usualness with them. To-night it would be impossible. To-morrow he must come down to breakfast as though their talk had never occurred.... In his rehearsal of this deliverance during his walk home he had spoken much more plainly of his sense of the coming of God to rule the world and end the long age of the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Madam How and Lady Why by Charles Kingsley:

are brothers for the sake of Jesus Christ our Lord. So these poor savages were driven out, till none were left, save the little Lapps up in the north of Norway, where they live to this day.

But stories of them, and of how they dwelt in caves, and had strange customs, and used poisoned weapons, and how the elf-bolts (as their flint arrow-heads are still called) belonged to them, lingered on, and were told round the fire on winter nights and added to, and played with half in fun, till a hundred legends sprang up about them, which used once to be believed by grown-up folk, but which now only amuse children. And because some of these savages were very short, as the Lapps and Esquimaux are now,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

rage flared suddenly in the gray eyes as the ape-man dropped lower among the branches until he moved almost directly above the unconscious Werper.

There was a quick leap, and the Belgian felt a heavy body hurtle onto the rump of his terror-stricken mount. The horse, snorting, leaped forward. Giant arms encircled the rider, and in the twinkling of an eye he was dragged from his saddle to find himself lying in the narrow trail with a naked, white giant kneeling upon his breast.

Recognition came to Werper with the first glance at his

Tarzan and the Jewels of Opar