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Today's Stichomancy for Edward Norton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Contrast by Royall Tyler:

And check the progress of our rising fame. Yet one, whilst imitation bears the sway, Aspires to nobler heights, and points the way. Be rous'd, my friends! his bold example view; Let your own Bards be proud to copy you! Should rigid critics reprobate our play, At least the patriotic heart will say, "Glorious our fall, since in a noble cause. "The bold attempt alone demands applause." Still may the wisdom of the Comic Muse Exalt your merits, or your faults accuse.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Forged Coupon by Leo Tolstoy:

ally responsible for everything that is done in my name? What can I do? What am I to do to rid myself of such a responsibility? What can I do? I do not admit that the responsibility for all this is mine. If I felt myself responsible for one- hundredth part of it, I would shoot myself on the spot. It would not be possible to live if that were true. But how can I put an end, to all this evil? It is bound up with the very existence of the State. I am the head of the State! What am I to do? Kill myself? Or abdicate? But that


The Forged Coupon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Idylls of the King by Alfred Tennyson:

Or some black wether of St Satan's fold. What, in the precincts of the chapel-yard, Among the knightly brasses of the graves, And by the cold Hic Jacets of the dead!'

And Merlin answered careless of her charge, 'A sober man is Percivale and pure; But once in life was flustered with new wine, Then paced for coolness in the chapel-yard; Where one of Satan's shepherdesses caught And meant to stamp him with her master's mark; And that he sinned is not believable;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Call of Cthulhu by H. P. Lovecraft:

of life in which our world and our conceptions have no part. And yet, as the members severally shook their heads and confessed defeat at the Inspector's problem, there was one man in that gathering who suspected a touch of bizarre familiarity in the monstrous shape and writing, and who presently told with some diffidence of the odd trifle he knew. This person was the late William Channing Webb, Professor of Anthropology in Princeton University, and an explorer of no slight note. Professor Webb had been engaged, forty-eight years before, in a tour of Greenland and Iceland in search of some Runic inscriptions which he failed to unearth; and whilst


Call of Cthulhu