| The first excerpt represents the past or something you must release, and is drawn from Study of a Woman by Honore de Balzac: that she was waiting in vain. A brilliant man--Stendhal--has given the
fantastic name of "crystallization" to the process which Madame de
Listomere's thoughts went through before, during, and after this
evening.
Four days later Eugene was scolding his valet.
"Ah ca! Joseph; I shall soon have to send you away, my lad."
"What is it, monsieur?"
"You do nothing but make mistakes. Where did you carry those letters I
gave you Saturday?"
Joseph became stolid. Like a statue in some cathedral porch, he stood
motionless, entirely absorbed in the labors of imagination. Suddenly
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe: "I _hate_ him! And isn't he MINE? Can't I do what I like
with him? Who's to hinder, I wonder?" And Legree clenched his fist,
and shook it, as if he had something in his hands that he could
rend in pieces.
But, then, Tom was a faithful, valuable servant; and,
although Legree hated him the more for that, yet the consideration
was still somewhat of a restraint to him.
The next morning, he determined to say nothing, as yet; to
assemble a party, from some neighboring plantations, with
dogs and guns; to surround the swamp, and go about the
hunt systematically. If it succeeded, well and good; if not,
 Uncle Tom's Cabin |
The third excerpt represents the future or something you must embrace, and is drawn from This Side of Paradise by F. Scott Fitzgerald: "Hello, Jesse."
"Hello there, Savonarola."
"I just read your editorial."
"Good boydidn't know you stooped that low."
"Jesse, you startled me."
"How so?"
"Aren't you afraid the faculty'll get after you if you pull this
irreligious stuff?"
"What?"
"Like this morning."
"What the devilthat editorial was on the coaching system."
 This Side of Paradise |