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Today's Stichomancy for Eliza Dushku

The first excerpt represents the past or something you must release, and is drawn from The Hunting of the Snark by Lewis Carroll:

That the phrase was not legally sound.

But their wild exultation was suddenly checked When the jailer informed them, with tears, Such a sentence would have not the slightest effect, As the pig had been dead for some years.

The Judge left the Court, looking deeply disgusted: But the Snark, though a little aghast, As the lawyer to whom the defense was entrusted, Went bellowing on to the last.

Thus the Barrister dreamed, while the bellowing seemed To grow every moment more clear:


The Hunting of the Snark
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

CHAPTER XXXIII - THE PRINCESS MEETS WITH AN UNEXPECTED MISFORTUNE.

THEY rose up, and returned through the cavity at which they had entered; and the Princess prepared for her favourite a long narrative of dark labyrinths and costly rooms, and of the different impressions which the varieties of the way had made upon her. But when they came to their train, they found every one silent and dejected: the men discovered shame and fear in their countenances, and the women were weeping in their tents.

What had happened they did not try to conjecture, but immediately inquired. "You had scarcely entered into the Pyramid," said one of the attendants, "when a troop of Arabs rushed upon us: we were too

The third excerpt represents the future or something you must embrace, and is drawn from Menexenus by Plato:

difficulty in improvising any number of such orations. To praise the Athenians among the Athenians was easy,--to praise them among the Lacedaemonians would have been a much more difficult task. Socrates himself has turned rhetorician, having learned of a woman, Aspasia, the mistress of Pericles; and any one whose teachers had been far inferior to his own--say, one who had learned from Antiphon the Rhamnusian--would be quite equal to the task of praising men to themselves. When we remember that Antiphon is described by Thucydides as the best pleader of his day, the satire on him and on the whole tribe of rhetoricians is transparent.

The ironical assumption of Socrates, that he must be a good orator because he had learnt of Aspasia, is not coarse, as Schleiermacher supposes, but is