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Today's Stichomancy for Eliza Dushku

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Enchanted Island of Yew by L. Frank Baum:

thought he extended his hand toward Terribus and whispered a magic word which was unheard by any around him.

Nerle did not notice the prince's swift gesture nor the whispered word; but he was staring straight at Terribus at the time, and he saw with surprise the eye on the top of the king's head move down toward his forehead, and the eye in the center of his forehead slide slightly toward the left, and the elephant-like nose shrink and shorten at the same time. Also it seemed to him that the king's skin was not so crimson in color as before, and that a thin growth of hair had covered his head.

However, no one else appeared to notice any change--least of all


The Enchanted Island of Yew
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Reminiscences of Tolstoy by Leo Tolstoy:

manifestations. It would never have come into my head, for instance, to walk up to my father and kiss him or to stroke his hand. I was partly prevented also from that by the fact that I always looked up to him with awe, and his spiritual power, his greatness, prevented me from seeing in him the mere man--the man who was so plaintive and weary at times, the feeble old man who so much needed warmth and rest. The only person who could give him that warmth was Masha. She would go up to him, stroke his hand, caress him, and say something affectionate, and you could see that he liked it, was happy, and even responded in kind. It was as if he became a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

forest the great wall which surrounds the city of Kaol. We had traversed the entire way without mishap or adventure, and though the few we had met had eyed the great calot wonderingly, none had pierced the red pigment with which I had smoothly smeared every square inch of my body. But to traverse the surrounding country, and to enter the guarded city of Kulan Tith, Jeddak of Kaol, were two very different things. No man enters a Martian city without giving a very detailed and satisfactory account of himself, nor did I delude myself with


The Warlord of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Unseen World and Other Essays by John Fiske:

hideous, starveling figures of the monkish Middle Ages, learned their first lessons in better things from Greek bas-reliefs. And if, to-day, forgetting our half-developed bodies, inefficiently nourished, because of our excessive brain-work, and with their muscles weak and flabby from want of strenuous exercise, we wish to contemplate the human form in its grandest perfection, we must go to Hellenic art for our models.

The Greeks were, in the highest sense of the word, an intellectual race; but they never allowed the mind to tyrannize over the body. Spiritual perfection, accompanied by corporeal feebleness, was the invention of asceticism; and the Greeks were


The Unseen World and Other Essays