| The first excerpt represents the past or something you must release, and is drawn from Resurrection by Leo Tolstoy: eyes. He began joking with her. The hostess called him away into
the next room, and Katusha heard her say, "A fresh one from the
country," Then the hostess called Katusha aside and told her that
the man was an author, and that he had a great deal of money, and
that if he liked her he would not grudge her anything. He did
like her, and gave her 25 roubles, promising to see her often.
The 25 roubles soon went; some she paid to her aunt for board and
lodging; the rest was spent on a hat, ribbons, and such like. A
few days later the author sent for her, and she went. He gave her
another 25 roubles, and offered her a separate lodging.
Next door to the lodging rented for her by the author there lived
 Resurrection |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Fables by Robert Louis Stevenson: the hills; I see this pleasant forest burn for days, and the cattle
roasted, and the springs dried up, and the farmer ruined, and his
children cast upon the world. What a world hangs upon this
moment!"
With that he struck the match, and it missed fire.
"Thank God!" said the traveller, and put his pipe in his pocket.
IV. - THE SICK MAN AND THE FIREMAN.
THERE was once a sick man in a burning house, to whom there entered
a fireman.
"Do not save me," said the sick man. "Save those who are strong."
"Will you kindly tell me why?" inquired the fireman, for he was a
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The third excerpt represents the future or something you must embrace, and is drawn from Sanitary and Social Lectures by Charles Kingsley: Nausicaa of old, for that is to ask too much: --but somewhat more
like an average Highland lassie; and try to look like her, and be
like her, of whom Wordsworth sang:
A mien and face
In which full plainly I can trace
Benignity, and home-bred sense,
Ripening in perfect innocence.
Here scattered, like a random seed,
Remote from men, thou dost not need
The embarrassed look of shy distress
And maidenly shamefacedness.
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