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Today's Stichomancy for Enrico Fermi

The first excerpt represents the past or something you must release, and is drawn from The Art of Writing by Robert Louis Stevenson:

CHAPTER II - THE MORALITY OF THE PROFESSION OF LETTERS (11)

THE profession of letters has been lately debated in the public prints; and it has been debated, to put the matter mildly, from a point of view that was calculated to surprise high-minded men, and bring a general contempt on books and reading. Some time ago, in particular, a lively, pleasant, popular writer (12) devoted an essay, lively and pleasant like himself, to a very encouraging view of the profession. We may be glad that his experience is so cheering, and we may hope that all others, who deserve it, shall be as handsomely rewarded; but I do not think we need be at all glad to have

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

day were often spoken of by the people; but no one of them was so greatly beloved as Santa Claus, because none other was so unselfish as to devote himself to making others happy. For a generous deed lives longer than a great battle or a king's decree of a scholar's essay, because it spreads and leaves its mark on all nature and endures through many generations.

The bargain made with the Knook Prince changed the plans of Claus for all future time; for, being able to use the reindeer on but one night of each year, he decided to devote all the other days to the manufacture of playthings, and on Christmas Eve to carry them to the children of the world.


The Life and Adventures of Santa Claus
The third excerpt represents the future or something you must embrace, and is drawn from Through the Looking-Glass by Lewis Carroll:

Well, THIS turn goes to the hill, I suppose--no, it doesn't! This goes straight back to the house! Well then, I'll try it the other way.'

And so she did: wandering up and down, and trying turn after turn, but always coming back to the house, do what she would. Indeed, once, when she turned a corner rather more quickly than usual, she ran against it before she could stop herself.

`It's no use talking about it,' Alice said, looking up at the house and pretending it was arguing with her. `I'm NOT going in again yet. I know I should have to get through the Looking-glass again--back into the old room--and there'd be an end of all


Through the Looking-Glass