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Today's Stichomancy for Enrico Fermi

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dunwich Horror by H. P. Lovecraft:

to dew.' That Hallowe'en the hill noises sounded louder than ever, and fire burned on Sentinel Hill as usual; but people paid more attention to the rhythmical screaming of vast flocks of unnaturally belated whippoorwills which seemed to be assembled near the unlighted Whateley farmhouse. After midnight their shrill notes burst into a kind of pandemoniac cachinnation which filled all the countryside, and not until dawn did they finally quiet down. Then they vanished, hurrying southward where they were fully a month overdue. What this meant, no one could quite be certain till later. None of the countryfolk seemed to have died - but poor Lavinia Whateley,


The Dunwich Horror
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Facino Cane by Honore de Balzac:

use it, that is all. But this it behooves you to know, that in those days I began to resolve the heterogeneous mass known as the People into its elements, and to evaluate its good and bad qualities. Even then I realized the possibilities of my suburb, that hotbed of revolution in which heroes, inventors, and practical men of science, rogues and scoundrels, virtues and vices, were all packed together by poverty, stifled by necessity, drowned in drink, and consumed by ardent spirits.

You would not imagine how many adventures, how many tragedies, lie buried away out of sight in that Dolorous City; how much horror and beauty lurks there. No imagination can reach the Truth, no one can go

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Before Adam by Jack London:

had made, it was still a tight squeeze for us to get in. And though from time to time we continued to enlarge, it was still too small for Red-Eye's monstrous body. But he never stormed our cave again. He had learned the lesson well, and he carried on his neck a bulging lump to show where I had hit him with the rock. This lump never went away, and it was prominent enough to be seen at a distance. I often took great delight in watching that evidence of my handiwork; and sometimes, when I was myself assuredly safe, the sight of it caused me to laugh.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Rig Veda:

with feet. Stretching her head and speaking loudly with her tongue, she hath gone downward thirty steps.

7 E'en now, O Indra-Agni, men hold in their arms and stretch their bows. Desert us not in this great fray, in battles for the sake of kine.

8 The foeman's sinful enmities, Indra and Agni, vex me sore.


The Rig Veda