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Today's Stichomancy for Enrico Fermi

The first excerpt represents the past or something you must release, and is drawn from Master and Man by Leo Tolstoy:

counting-frame. 'But I won't give ten thousand, anyhow. I'll give about eight thousand with a deduction on account of the glades. I'll grease the surveyor's palm--give him a hundred rubles, or a hundred and fifty, and he'll reckon that there are some five desyatins of glade to be deducted. And he'll let it go for eight thousand. Three thousand cash down. That'll move him, no fear!' he thought, and he pressed his pocket-book with his forearm.

'God only knows how we missed the turning. The forest ought to be there, and a watchman's hut, and dogs barking. But the damned things don't bark when they're wanted.' He turned his


Master and Man
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Oakdale Affair by Edgar Rice Burroughs:

committed a burglary.

Bridge shook his head wearily. Was he not himself an accessory after the fact in the matter of two crimes at least? These new friends, it seemed, were about to topple him into the abyss which he had studiously avoided for so long a time. But why should he permit it? What were they to him?

A freight train was puffing into the siding at the Pay- son station. Bridge could hear the complaining brakes a mile away. It would be easy to leave the town and his dangerous companions far behind him; but even as the


The Oakdale Affair
The third excerpt represents the future or something you must embrace, and is drawn from Romeo and Juliet by William Shakespeare:

I am too bold 'tis not to me she speakes: Two of the fairest starres in all the Heauen, Hauing some businesse do entreat her eyes, To twinckle in their Spheres till they returne. What if her eyes were there, they in her head, The brightnesse of her cheeke would shame those starres, As day-light doth a Lampe, her eye in heauen, Would through the ayrie Region streame so bright, That Birds would sing, and thinke it were not night: See how she leanes her cheeke vpon her hand. O that I were a Gloue vpon that hand,


Romeo and Juliet