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Today's Stichomancy for Enrico Fermi

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

Then--well, it was just another newspaper story. It made a good one. That evening I told Frau Nirlanger about it, and she wept, softly, and murmured: "Ach, das arme baby! Like my little Oscar he is, without a mother." I told Ernst about him too, and Blackie, because I could not get his grave little face out of my mind. I wondered if those who had charge of him now would take the time to bathe the little body, and brush the soft hair until it shone, and tie the gay plaid silk tie as lovingly as "Daddy" Arnett of the Detention Home had done.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Episode Under the Terror by Honore de Balzac:

the stranger asked with a bewildered look. "There is the private soldier commanded to fall into line--is he actually responsible?"

The priest hesitated. The stranger was glad; he had put the Royalist precisian in a dilemma, between the dogma of passive obedience on the one hand (for the upholders of the Monarchy maintained that obedience was the first principle of military law), and the equally important dogma which turns respect for the person of a King into a matter of religion. In the priest's indecision he was eager to see a favorable solution of the doubts which seemed to torment him. To prevent too prolonged reflection on the part of the reverend Jansenist, he added:

"I should blush to offer remuneration of any kind for the funeral

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Brother of Daphne by Dornford Yates:

four because I mean four. I have never appreciated opera, and was all along reluctant to go. But when I found that the show began at half-past four, I put my foot down and reminded the others of the Daylight Saving Bill. With gusto they retorted that I had been to more matinees than they cared to remember. I replied that for a theatre to begin at half-past four was out of all order and convenience, and that, as an Englishman and a member of a conservative club, I was not prepared to subscribe to such an unnatural arrangement.

"Brother," said Berry, "I weep for you. Not now, but in the privacy of my chamber I often weep great tears."


The Brother of Daphne
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ann Veronica by H. G. Wells:

He nodded twice, with his eyes on the fire, as though that was a formal statement.

"You may go on with that work," he said, "so long as you keep in harmony with things at home. I'm convinced that much of Russell's investigations are on wrong lines, unsound lines. Still--you must learn for yourself. You're of age--you're of age."

"The work's almost essential for the B.Sc. exam."

"It's scandalous, but I suppose it is."

Their agreement so far seemed remarkable, and yet as a home-coming the thing was a little lacking in warmth. But Ann