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Today's Stichomancy for Enrico Fermi

The first excerpt represents the past or something you must release, and is drawn from An Unsocial Socialist by George Bernard Shaw:

in the faces of the dead. The arrangement of the black hair on the pillow, the soft drapery, and the flowers placed there by the nurse to complete the artistic effect to which she had so confidently referred, were lost on him; he saw only a lifeless mask that had been his wife's face, and at sight of it his knees failed, and he had to lean for support on the rail at the foot of the bed.

When he looked again the face seemed to have changed. It was no longer a waxlike mask, but Henrietta, girlish and pathetically at rest. Death seemed to have cancelled her marriage and womanhood; he had never seen her look so young. A minute passed, and then a

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Idylls of the King by Alfred Tennyson:

To vex and plague her. Many a time for hours, Beside the placid breathings of the King, In the dead night, grim faces came and went Before her, or a vague spiritual fear-- Like to some doubtful noise of creaking doors, Heard by the watcher in a haunted house, That keeps the rust of murder on the walls-- Held her awake: or if she slept, she dreamed An awful dream; for then she seemed to stand On some vast plain before a setting sun, And from the sun there swiftly made at her

The third excerpt represents the future or something you must embrace, and is drawn from The Jolly Corner by Henry James:

other approach or egress, had it not, to his intimate conviction, been closed SINCE his former visitation, the matter probably of a quarter of an hour before. He stared with all his eyes at the wonder of the fact, arrested again where he stood and again holding his breath while he sounded his sense. Surely it had been SUBSEQUENTLY closed - that is it had been on his previous passage indubitably open!

He took it full in the face that something had happened between - that he couldn't have noticed before (by which he meant on his original tour of all the rooms that evening) that such a barrier had exceptionally presented itself. He had indeed since that