| The first excerpt represents the past or something you must release, and is drawn from The Black Arrow by Robert Louis Stevenson: books, to a new chamber.
"A new chamber?" he repeated. "Wherefore so? What chamber?"
"'Tis one above the chapel," answered the messenger.
"It hath stood long empty," said Dick, musing. "What manner of
room is it?"
"Nay, a brave room," returned the man. "But yet" - lowering his
voice - "they call it haunted."
"Haunted?" repeated Dick, with a chill. "I have not heard of it.
Nay, then, and by whom?"
The messenger looked about him; and then, in a low whisper, "By the
sacrist of St. John's," he said. "They had him there to sleep one
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Georgics by Virgil: GEORGIC III
Thee too, great Pales, will I hymn, and thee,
Amphrysian shepherd, worthy to be sung,
You, woods and waves Lycaean. All themes beside,
Which else had charmed the vacant mind with song,
Are now waxed common. Of harsh Eurystheus who
The story knows not, or that praiseless king
Busiris, and his altars? or by whom
Hath not the tale been told of Hylas young,
Latonian Delos and Hippodame,
And Pelops for his ivory shoulder famed,
 Georgics |
The third excerpt represents the future or something you must embrace, and is drawn from Return of the Native by Thomas Hardy: "Now please go away. If I decide on this escape I can
only meet you once more unless--I cannot go without you.
Go--I cannot bear it longer. Go--go!"
Wildeve slowly went up the steps and descended into the
darkness on the other side; and as he walked he glanced back,
till the bank blotted out her form from his further view.
6 - Thomasin Argues with Her Cousin, and He Writes a Letter
Yeobright was at this time at Blooms-End, hoping that
Eustacia would return to him. The removal of furniture
had been accomplished only that day, though Clym
had lived in the old house for more than a week.
 Return of the Native |