| The first excerpt represents the past or something you must release, and is drawn from The Jungle by Upton Sinclair: and entrails would have vanished; it was Jurgis' task to slide them
into the trap, calves and all, and on the floor below they took out
these "slunk" calves, and butchered them for meat, and used even the skins
of them.
One day a man slipped and hurt his leg; and that afternoon, when the
last of the cattle had been disposed of, and the men were leaving,
Jurgis was ordered to remain and do some special work which this injured
man had usually done. It was late, almost dark, and the government
inspectors had all gone, and there were only a dozen or two of men on
the floor. That day they had killed about four thousand cattle, and these
cattle had come in freight trains from far states, and some of them had
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dead Souls by Nikolai Vasilievich Gogol: the parlour, a couple of glances showed him that the room was hung
with old striped curtains, and ornamented with pictures of birds and
small, antique mirrors--the latter set in dark frames which were
carved to resemble scrolls of foliage. Behind each mirror was stuck
either a letter or an old pack of cards or a stocking, while on the
wall hung a clock with a flowered dial. More, however, Chichikov could
not discern, for his eyelids were as heavy as though smeared with
treacle. Presently the lady of the house herself entered--an elderly
woman in a sort of nightcap (hastily put on) and a flannel neck wrap.
She belonged to that class of lady landowners who are for ever
lamenting failures of the harvest and their losses thereby; to the
 Dead Souls |
The third excerpt represents the future or something you must embrace, and is drawn from Alexander's Bridge by Willa Cather: of china. Hilda saw Alexander look up at it.
"It's not particularly rare," she said,
"but some of it was my mother's. Heaven knows
how she managed to keep it whole, through all
our wanderings, or in what baskets and bundles
and theatre trunks it hasn't been stowed away.
We always had our tea out of those blue cups
when I was a little girl, sometimes in the
queerest lodgings, and sometimes on a trunk
at the theatre--queer theatres, for that matter."
It was a wonderful little dinner. There was
 Alexander's Bridge |