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Today's Stichomancy for Eva Mendes

The first excerpt represents the past or something you must release, and is drawn from Chronicles of the Canongate by Walter Scott:

she reckoned with security on delaying Hamish beyond the period for which his return was appointed; and she trusted to his horror for the apprehended punishment to which he was thus rendered liable, to prevent him from returning at all.

Sound and deep, beyond natural rest, was the sleep of Hamish MacTavish on that eventful evening, but not such the repose of his mother. Scarce did she close her eyes from time to time, but she awakened again with a start, in the terror that her son had arisen and departed; and it was only on approaching his couch, and hearing his deep-drawn and regular breathing, that she reassured herself of the security of the repose in which he was

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A treatise on Good Works by Dr. Martin Luther:

of this Commandment, he would yet have to work all his life-time in order to fight this vice and drive it out, so common, so subtile, so quick and insidious is it. Now we all pass by this good work and exercise ourselves in many other lesser good works, nay, through other good works we overthrow this and forget it entirely. So the holy Name of God, which alone should be honored, is taken in vain and dishonored through our own cursed name, self-approval and honor-seeking. And this sin is more grievous before God than murder and adultery; but its wickedness is not so clearly seen as that of murder, because of its subtilty, for it is not accomplished in the coarse flesh, but in the spirit.

The third excerpt represents the future or something you must embrace, and is drawn from Far From the Madding Crowd by Thomas Hardy:

we hadn't to pen at all." "And now you are entirely at leisure?" "Yes, except that I have to see one more dealer in two hours' time: otherwise I should be going home. He was looking at this large tent and the announcement. Have you ever seen the play of "Turpin's Ride to York?" Turpin was a real man, was he not?" "O yes, perfectly true -- all of it. Indeed, I think I've heard Jan Coggan say that a relation of his knew Tom King, Turpin's friend, quite well." "Coggan is rather given to strange stories connected


Far From the Madding Crowd