The first excerpt represents the past or something you must release, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs: be to set at naught all that she had risked to gain her freedom,
and so with stealthy step and every sense alert she approached
the back of the tent to set out upon the first stage
of her adventure.
Groping along the rear of the canvas wall, she found that
there was no opening there. Quickly she returned to the side
of the unconscious Russian. In his belt her groping fingers
came upon the hilt of a long hunting-knife, and with this she
cut a hole in the back wall of the tent.
Silently she stepped without. To her immense relief she
saw that the camp was apparently asleep. In the dim and
 The Beasts of Tarzan |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Voyage Out by Virginia Woolf: caused by the presence of Terence or the thought of him, she never
said to herself that she was in love with him, or considered
what was to happen if she continued to feel such things, so that
Helen's image of the river sliding on to the waterfall had a great
likeness to the facts, and the alarm which Helen sometimes felt
was justified.
In her curious condition of unanalysed sensations she was incapable
of making a plan which should have any effect upon her state of mind.
She abandoned herself to the mercy of accidents, missing Terence one day,
meeting him the next, receiving his letters always with a start
of surprise. Any woman experienced in the progress of courtship
|
The third excerpt represents the future or something you must embrace, and is drawn from Historical Lecturers and Essays by Charles Kingsley: be formed out of the heart of her a people, steadfast, trusty,
united, strong politically because strong in the fear of God and the
desire of righteousness--at such a moment as this, a crime had been
committed, the like of which had not been heard in Europe since the
tragedy of Joan of Naples. All Europe stood aghast. The honour of
the Scottish nation was at stake. More than Mary or Bothwell were
known to be implicated in the deed; and--as Buchanan puts it in the
opening of his "De Jure Regni"--"The fault of some few was charged
upon all; and the common hatred of a particular person did redound
to the whole nation; so that even such as were remote from any
suspicion were inflamed by the infamy of men's crimes." {17}
|