The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Bondage and My Freedom by Frederick Douglass: we in America? Why, we have slavery made part of the religion of
the land. Yes, the pulpit there stands up as the great defender
of this cursed _institution_, as it is called. Ministers of
religion come forward and torture the hallowed pages of inspired
wisdom to sanction the bloody deed. They stand forth as the
foremost, the strongest defenders of this "institution." As a
proof of this, I need not do more than state the general fact,
that slavery has existed under the droppings of the sanctuary of
the south for the last two hundred years, and there has not been
any war between the _religion_ and the _slavery_ of the south.
Whips, chains, gags, and thumb-screws have all lain under the
 My Bondage and My Freedom |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The War in the Air by H. G. Wells: paralysed him.
The afternoon was still. The roar of the cataract simply threw
up that immense stillness in relief. He was doing his best to
contrive the death of two better men than himself. Also they
were doing their best to contrive his. What, behind this
silence, were they doing.
Suppose he came upon them suddenly and fired, and missed?
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He crawled, and halted listening, and crawled again until
nightfall, and no doubt the German Alexander and his lieutenant
did the same. A large scale map of Goat Island marked with red
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Hated Son by Honore de Balzac: maternal love, all rushed together upon his heart and developed there,
like a poem at once terrible and delicious. The emotions of this
youth, accustomed to live in contemplations of ecstasy as others in
the excitements of the world, resembled none of the habitual emotions
of mankind.
"Will he live?" said the old man, amazed at the fragility of his heir,
and holding his breath as he leaned over him.
"I can live only here," replied Etienne, who had heard him, simply.
"Well, then, this room shall be yours, my child."
"What is that noise?" asked the young man, hearing the retainers of
the castle who were gathering in the guard-room, whither the duke had
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gone With the Wind by Margaret Mitchell: rivers, but a land of contrasts, of brightest sun glare and
densest shade. The plantation clearings and miles of cotton
fields smiled up to a warm sun, placid, complacent. At their
edges rose the virgin forests, dark and cool even in the hottest
noons, mysterious, a little sinister, the soughing pines seeming
to wait with an age-old patience, to threaten with soft sighs:
"Be careful! Be careful! We had you once. We can take you back
again."
To the ears of the three on the porch came the sounds of hooves,
the jingling of harness chains and the shrill careless laughter
of negro voices, as the field hands and mules came in from the
 Gone With the Wind |