| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ballads by Robert Louis Stevenson: Dawn as yellow as sulphur leaped on the mountain height:
Out on the round of the sea the gems of the morning light,
Up from the round of the sea the streamers of the sun; -
But down in the depths of the valley the day was not begun.
In the blue of the woody twilight burned red the cocoa-husk,
And the women and men of the clan went forth to bathe in the dusk,
A word that began to go round, a word, a whisper, a start:
Hope that leaped in the bosom, fear that knocked on the heart:
"See, the priest is not risen - look, for his door is fast!
He is going to name the victims; he is going to help us at last."
Thrice rose the sun to noon; and ever, like one of the dead,
 Ballads |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lair of the White Worm by Bram Stoker: nothing to obstruct the view of those travelling and no one to
overhear what they may say. I have used that trap for a quarter of
a century, and I never saw one more suitable for travel. You shall
test it shortly. We are going to drive through the heart of
England; and as we go I'll tell you what I was speaking of last
night. Our route is to be by Salisbury, Bath, Bristol, Cheltenham,
Worcester, Stafford; and so home."
Adam remained silent a few minutes, during which he seemed all eyes,
for he perpetually ranged the whole circle of the horizon.
"Has our journey to-day, sir," he asked, "any special relation to
what you said last night that you wanted to tell me?"
 Lair of the White Worm |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sons and Lovers by D. H. Lawrence: to him, and using the same intimate tone as if they were alone;
which made the rest of the family feel as if they ought not to
be present. The young lady evidently did not realise them as people:
they were creatures to her for the present. William winced.
In such a household, in Streatham, Miss Western would have been
a lady condescending to her inferiors. These people were to her,
certainly clownish--in short, the working classes. How was she
to adjust herself?
"I'll go," said Annie.
Miss Western took no notice, as if a servant had spoken.
But when the girl came downstairs again with the handkerchief,
 Sons and Lovers |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Albert Savarus by Honore de Balzac: husband were listening. "Never disturb the peace of mind of that dear
man, as simple as a child, and with whom I can do what I please. He is
under my protection," she added. "If you could know with what
generosity he risked his life and fortune because I was a Liberal! for
he does not share my political opinions. Is not that love, Monsieur
Frenchman?--But they are like that in his family. Emilio's younger
brother was deserted for a handsome youth by the woman he loved. He
thrust his sword through his own heart ten minutes after he had said
to his servant, 'I could of course kill my rival, but that would
grieve the /Diva/ too deeply.' "
This mixture of dignity and banter, of haughtiness and playfulness,
 Albert Savarus |