| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot: before you could move in a fashionable crowd without jostling against
your betters, whom it is against etiquette to ask to "feel", and who,
by their superior culture and breeding, know all about your movements,
while you know very little or nothing about theirs. In a word,
to comport oneself with perfect propriety in Polygonal society,
one ought to be a Polygon oneself. Such at least is
the painful teaching of my experience.
It is astonishing how much the Art -- or I may almost call it instinct
-- of Sight Recognition is developed by the habitual practice of it
and by the avoidance of the custom of "Feeling". Just as, with you,
the deaf and dumb, if once allowed to gesticulate and to use
 Flatland: A Romance of Many Dimensions |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Shadow out of Time by H. P. Lovecraft: of the subject from common speech and visible records. And always
the shadow of nameless fear hung bout the sealed trap-doors and
the dark, windowless elder towers.
V
That is the world of
which my dreams brought me dim, scattered echoes every night.
I cannot hope to give any true idea of the horror and dread contained
in such echoes, for it was upon a wholly intangible quality -
the sharp sense of pseudo-memory - that such feelings mainly depended.
As I have said, my studies gradually gave me a defence against
these feelings in the form of rational psychological explanations;
 Shadow out of Time |