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Today's Stichomancy for Federico Fellini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Black Beauty by Anna Sewell:

she has turned off there." I knew this common very well; it was for the most part very uneven ground, covered with heather and dark-green furze bushes, with here and there a scrubby old thorn-tree; there were also open spaces of fine short grass, with ant-hills and mole-turns everywhere; the worst place I ever knew for a headlong gallop.

We had hardly turned on the common, when we caught sight again of the green habit flying on before us. My lady's hat was gone, and her long brown hair was streaming behind her. Her head and body were thrown back, as if she were pulling with all her remaining strength, and as if that strength were nearly exhausted. It was clear that the roughness of the ground had very much lessened Lizzie's speed,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Montezuma's Daughter by H. Rider Haggard:

come when a rising against them might be carried to a successful issue.

This was the prayer of those who sent the envoys, that I should raise a force of Otomies and travel with it across the country to Yucatan, and there with others who would be gathered, wait a favourable opportunity to throw myself upon the Spaniards when they were entangled in the forests and swamps, putting them to the sword and releasing Guatemoc. Such was the first purpose of the plot, though it had many others of which it is useless to speak, seeing that they came to nothing.

When the message had been delivered I shook my head sadly, for I


Montezuma's Daughter
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Othello by William Shakespeare:

It must not be: If Cassio do remaine, He hath a dayly beauty in his life, That makes me vgly: and besides, the Moore May vnfold me to him: there stand I in much perill: No, he must dye. But so, I heard him comming. Enter Cassio.

Rod. I know his gate, 'tis he: Villaine thou dyest

Cas. That thrust had beene mine enemy indeed, But that my Coate is better then thou know'st: I will make proofe of thine

Rod. Oh, I am slaine


Othello
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

disadvantages for her, he would be acting as unscrupulously as any tract writer. If society chooses to provide for its Irises better than for its working women, it must not expect honest playwrights to manufacture spurious evidence to save its credit. The mischief lies in the deliberate suppression of the other side of the case: the refusal to allow Mrs Warren to expose the drudgery and repulsiveness of plying for hire among coarse, tedious drunkards; the determination not to let the Parisian girl in Brieux's Les Avaries come on the stage and drive into people's minds what her diseases mean for her and for themselves. All that, says the King's Reader in effect, is horrifying, loathsome.