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Today's Stichomancy for Federico Fellini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Heart of the West by O. Henry:

of success says, 'Move on to the next town.' I was travelling by wagon at that time so as not to miss any of the small towns; so I hitched up a few days later and went down to tell Mame good-bye. I wasn't abandoning the game; I intended running over to Oklahoma City and work it for a week or two. Then I was coming back to institute fresh proceedings against Mame.

"What do I find at the Dugans' but Mame all conspicuous in a blue travelling dress, with her little trunk at the door. It seems that sister Lottie Bell, who is a typewriter in Terre Haute, is going to be married next Thursday, and Mame is off for a week's visit to be an accomplice at the ceremony. Mame is waiting for a freight wagon that


Heart of the West
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

every hour, the mysteries of her untiring travail.

Feeble existences, like that of Birotteau, live sunk in sorrows, instead of transmuting them into doctrines of experience: they let them saturate their being, and are worn-out, finally, by falling more and more under the weight of past misfortunes.

When the two couples reached the path which leads to the woods of Aulnay, placed like a crown upon the prettiest hillside in the neighborhood of Paris, and from which the Vallee-aux-Loups is seen in all its coquetry, the beauty of the day, the charm of the landscape, the first spring verdure, the delicious memory of the happiest day of all his youth, loosened the tight chords in Cesar's soul; he pressed


Rise and Fall of Cesar Birotteau
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

although one eye was a bit larger than the other and ears were not mates. The Munchkin farmer who had made the Scarecrow had neglected to sew him together with close stitches and therefore some of the straw with which he was stuffed was inclined to stick out between the seams. His hands consisted of padded white gloves, with the fingers long and rather limp, and on his feet he wore Munchkin boots of blue leather with broad turns at the tops of them.

The Sawhorse was almost as curious as its rider.


The Patchwork Girl of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Euthydemus by Plato:

of which we spoke before are not to be regarded as goods in themselves, but the degree of good and evil in them depends on whether they are or are not under the guidance of knowledge: under the guidance of ignorance, they are greater evils than their opposites, inasmuch as they are more able to minister to the evil principle which rules them; and when under the guidance of wisdom and prudence, they are greater goods: but in themselves they are nothing?

That, he replied, is obvious.

What then is the result of what has been said? Is not this the result-- that other things are indifferent, and that wisdom is the only good, and ignorance the only evil?