| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jane Eyre by Charlotte Bronte: And, reader, do you think I feared him in his blind ferocity?--if
you do, you little know me. A soft hope blest with my sorrow that
soon I should dare to drop a kiss on that brow of rock, and on those
lips so sternly sealed beneath it: but not yet. I would not accost
him yet.
He descended the one step, and advanced slowly and gropingly towards
the grass-plat. Where was his daring stride now? Then he paused,
as if he knew not which way to turn. He lifted his hand and opened
his eyelids; gazed blank, and with a straining effort, on the sky,
and toward the amphitheatre of trees: one saw that all to him was
void darkness. He stretched his right hand (the left arm, the
 Jane Eyre |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems by Oscar Wilde: Like Baal, when his prophets howled that name
From morn to noon on Carmel's smitten height.'
Nay, peace, I shall behold, before the night,
The feet of brass, the robe more white than flame,
The wounded hands, the weary human face.
Poem: Vita Nuova
I stood by the unvintageable sea
Till the wet waves drenched face and hair with spray;
The long red fires of the dying day
Burned in the west; the wind piped drearily;
And to the land the clamorous gulls did flee:
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays & Lectures by Oscar Wilde: the aesthetic value of digressions, the legality of employing more
than one metaphor in the same sentence, and the like; and
historians are ranked not by their power of estimating evidence but
by the goodness of the Greek they write.
I must note also the important influence on literature exercised by
Alexander the Great; for while his travels encouraged the more
accurate research of geography, the very splendour of his
achievements seems to have brought history again into the sphere of
romance. The appearance of all great men in the world is followed
invariably by the rise of that mythopoeic spirit and that tendency
to look for the marvellous, which is so fatal to true historical
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Redheaded Outfield by Zane Grey: and quite baseball mad. I had met many girl
fans, but none so enthusiastic as Nan. But she
was wholesome and sincere, and I liked her.
Before turning in I sat down beside the Rube.
He was very quiet and his face did not encourage
company. But that did not stop me.
``Hello, Whit; have a smoke before you go to
bed?'' I asked cheerfully.
He scarcely heard me and made no move to
take the proffered cigar. All at once it struck
me that the rustic simplicity which had characterized
 The Redheaded Outfield |