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Today's Stichomancy for Fidel Castro

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Passion in the Desert by Honore de Balzac:

as that of a cat lying on a cushion. Her blood-stained paws, nervous and well armed, were stretched out before her face, which rested upon them, and from which radiated her straight slender whiskers, like threads of silver.

If she had been like that in a cage, the Provencal would doubtless have admired the grace of the animal, and the vigorous contrasts of vivid color which gave her robe an imperial splendor; but just then his sight was troubled by her sinister appearance.

The presence of the panther, even asleep, could not fail to produce the effect which the magnetic eyes of the serpent are said to have on the nightingale.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

below for my breakfast, which the cook was already preparing upon the electric stove. Lys, followed by Nobs, appeared as I entered the centrale. She met me with a pleasant "Good morning!" which I am afraid I replied to in a tone that was rather constrained and surly.

"Will you breakfast with me?" I suddenly asked the girl, determined to commence a probe of my own along the lines which duty demanded.

She nodded a sweet acceptance of my invitation, and together we sat down at the little table of the officers' mess. "You slept well last night?" I asked.


The Land that Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters from England by Elizabeth Davis Bancroft:

party at Mrs. Lyell's, where I was introduced to Mrs. Somerville. She has resided for the last nine years abroad, chiefly at Venice, but has now come to London and taken a house very near us. . . . Her daughter told me that nothing could exceed the ease and simplicity with which her literary occupations were carried on. She is just publishing a book upon Natural Geography without regard to political boundaries. She writes principally before she rises in the morning on a little piece of board, with her inkstand on a table by her side. After she leaves her room she is as much at leisure as other people, but if an idea strikes her she takes her little board into a corner or window and writes quietly for a short time and returns to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The White Moll by Frank L. Packard:

was so late. At eleven, Danglar had said. Danglar would be growing restive! She took the elevated. If she could risk the protection of her veil in the Silver Sphinx, she could risk it equally in an elevated train!

But, in spite of the elevated, it was, she knew, well on towards half past eleven when she finally came down the street in front of the Silver Sphinx. From under her veil, she glanced, half curiously, half in a sort of grim irony, at the taxis lined up before the dancehall. The two leading cars were not taxis at all, though they bore the ear-marks, with their registers, of being public vehicles for hire; they were large, roomy, powerful, and looked, with their