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Today's Stichomancy for Fiona Apple

The first excerpt represents the past or something you must release, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

expressive word "dear"(liebe) is: dear Mary, dear God, the dear emperor, the dear prince, the dear man, the dear child. I do not know if one can say this word "liebe" in Latin or in other languages with so much depth of emotion that it pierces the heart and echoes throughout as it does in our tongue.

I think that St. Luke, as a master of the Hebrew and Greek tongues, wanted to clarify and articulate the Greek word "kecharitomene" that the angel used. And I think that the angel Gabriel spoke with Mary just as he spoke with Daniel, when he called him "Chamudoth" and "Ish chamudoth, vir desiriorum", that is "Dear Daniel." That is the way Gabriel speaks, as we can see

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Soul of Man by Oscar Wilde:

arbiter of the work of art. He is one who is admitted to contemplate the work of art, and, if the work be fine, to forget in its contemplation and the egotism that mars him - the egotism of his ignorance, or the egotism of his information. This point about the drama is hardly, I think, sufficiently recognised. I can quite understand that were 'Macbeth' produced for the first time before a modern London audience, many of the people present would strongly and vigorously object to the introduction of the witches in the first act, with their grotesque phrases and their ridiculous words. But when the play is over one realises that the laughter of the witches in 'Macbeth' is as terrible as the laughter of madness in

The third excerpt represents the future or something you must embrace, and is drawn from The Economist by Xenophon:

the end.

[8] "Movable property," "meubles."

[9] Holden cf. Plut. "De Curios." 515 E, {os gar Xenophon legei toi Oikonomikois, k.t.l.}

[10] Cf. "Cyrop." VIII. ii. 5. See Becker, op. cit. p. 447.

[11] See Cic. ap. Col. who curiously mistranslates {dikha}.

[12] Schneider, etc., cf. Aristot. "Oecon." i. 6.

And so having arranged the different articles of furniture in classes, we proceeded to convey them to their appropriate places. That done, we directed our attention to the various articles needed by our domestics for daily use, such as implements or utensils for making bread,