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Today's Stichomancy for Frank Sinatra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Frankenstein by Mary Shelley:

It was to be decided whether the result of my curiosity and lawless devices would cause the death of two of my fellow beings: one a smiling babe full of innocence and joy, the other far more dreadfully murdered, with every aggravation of infamy that could make the murder memorable in horror. Justine also was a girl of merit and possessed qualities which promised to render her life happy; now all was to be obliterated in an ignominious grave, and I the cause! A thousand times rather would I have confessed myself guilty of the crime ascribed to Justine, but I was absent when it was committed, and such a declaration would have been considered as the ravings of a madman and would not have exculpated


Frankenstein
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adieu by Honore de Balzac:

the colonel's cap, while handsome brown curls adorned the brow of the statesman. One was tall, gallant, high-strung, and the lines of his pallid face showed terrible passions or frightful griefs. The other had a face that was brilliant with health, and jovially worth of an epicurean. Both were deeply sun-burned, and their high gaiters of tanned leather showed signs of the bogs and the thickets they had just come through.

"Come," said Monsieur de Sucy, "let us get on. A short hour's march, and we shall reach Cassan in time for a good dinner."

"It is easy to see you have never loved," replied the councillor, with a look that was pitifully comic; "you are as relentless as article 304

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Britain by Washington Irving:

everybody that offends against the dignity of the city; and then there is the little man with a velvet porringer on his head, who sits at the window of the state-coach, and holds the city sword, as long as a pike-staff--Odd's blood! If he once draws that sword, Majesty itself is not safe!

Under the protection of this mighty potentate, therefore, the good people of Little Britain sleep in peace. Temple Bar is an effectual barrier against all interior foes; and as to foreign invasion, the Lord Mayor has but to throw himself into the Tower, call in the trainbands, and put the standing army of Beef-eaters under arms, and he may bid defiance to the world!

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

beast could go, but tying it to a stunted ash tree when the floor of the thin wood became too steep. Thereafter he scrambled up alone; first through the forest with its ruins of old villages in overgrown clearings, and then over the tough grass where anaemic shrubs grew here and there. He regretted coming clear of the trees, since the slope was very precipitous and the whole thing rather dizzying. At length he began to discern all the countryside spread out beneath him whenever he looked about; the deserted huts of the image-makers, the groves of resin trees and the camps of those who gathered from them, the woods where prismatic magahs nest and sing, and even a hint very far away of the shores of Yath


The Dream-Quest of Unknown Kadath