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Today's Stichomancy for Frank Sinatra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

development, which sees in luscious and abundant food an end worthy of man's best efforts. Now, this is not right and should not be done. And, in order to avoid doing it, it is only needful to realize the fact that whatever truly deserves to be held up as a worthy object of man's striving and working, whether it be the service of humanity, of one's country, of science, of art, not to speak of the service of God, is far above and beyond the sphere of personal enjoyment. Hence, it follows that not only to form a liaison, but even to contract marriage, is, from a Christian point of view, not a progress, but a fall. Love, and all the states that accompany and follow it, however we may try in prose


The Kreutzer Sonata
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

admit their respect for a man so gentle-natured that he loved to devote his life to pleasing the helpless little ones of his race.

Therefore the inhabitants of every city and village had been eagerly watching the coming of Claus, and remarkable stories of his beautiful playthings were told the children to keep them patient and contented.

When, on the morning following the first trip of Claus with his deer, the little ones came running to their parents with the pretty toys they had found, and asked from whence they came, they was but one reply to the question.

"The good Claus must have been here, my darlings; for his are the only toys in all the world!"


The Life and Adventures of Santa Claus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from New Arabian Nights by Robert Louis Stevenson:

daughter opened his shirt and began to wet his head and bosom; while Northmour and I ran to the window. The weather continued clear; the moon, which was now about full, had risen and shed a very clear light upon the links; yet, strain our eyes as we might, we could distinguish nothing moving. A few dark spots, more or less, on the uneven expanse were not to be identified; they might be crouching men, they might be shadows; it was impossible to be sure.

"Thank God," said Northmour, "Aggie is not coming to-night."

Aggie was the name of the old nurse; he had not thought of her till now; but that he should think of her at all, was a trait that

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rewards and Fairies by Rudyard Kipling:

howling, which they would never have done from a Flint- worker. The man went in among the Trees. I looked for the dead Beast. He had been killed in a new way - by a single deep, clean cut, without bruise or tear, which had split his bad heart. Wonderful! So I saw that the man's knife was magic, and I thought how to get it, - thought strongly how to get it.

'When I brought the flocks to the shearing, my Mother the Priestess asked me, "What is the new thing which you have seen and I see in your face?" I said, "It is a sorrow to me"; and she answered, "All new things are sorrow. Sit in my place, and eat sorrow." I sat down in her place by the fire, where she talks to the