| The first excerpt represents the past or something you must release, and is drawn from The Glimpses of the Moon by Edith Wharton: in her life. How could it be otherwise, if she were to return
again to her old dependence on Ellie Vanderlyn, Ursula Gillow,
Violet Melrose? And beyond that, only the Bockheimers and their
kind awaited her ....
A knock on the door--what a relief! It was Mrs. Match again,
with a telegram. To whom had Susy given her new address? With
a throbbing heart she tore open the envelope and read:
"Shall be in Paris Friday for twenty-four hours where can I see
you write Nouveau Luxe."
Ah, yes--she remembered now: she had written to Strefford! And
this was his answer: he was coming. She dropped into a chair,
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Revenues by Xenophon: cannot conceive a better method to decide that question than to allow
the mind to revert[19] to the past history of the state and to note
well the sequence of events. He will discover that in times long gone
by during a period of peace vast wealth was stored up in the
acropolis, the whole of which was lavishly expended during a
subsequent period of war. He will perceive, if he examines closely,
that even at the present time we are suffering from its ill effects.
Countless sources of revenue have failed, or if they have still flowed
in, been lavishly expended on a multiplicity of things. Whereas,[20]
now that peace is established by sea, our revenues have expanded and
the citizens of Athens have it in their power to turn these to account
|
The third excerpt represents the future or something you must embrace, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola: a squirt. Nay, more, she didn't even know how to deport herself on
the stage: she thrust her arms in front of her while she swayed her
whole body to and fro in a manner which struck the audience as
unbecoming and disagreeable. Cries of "Oh, oh!" were already rising
in the pit and the cheap places. There was a sound of whistling,
too, when a voice in the stalls, suggestive of a molting cockerel,
cried out with great conviction:
"That's very smart!"
All the house looked round. It was the cherub, the truant from the
boardingschool, who sat with his fine eyes very wide open and his
fair face glowing very hotly at sight of Nana. When he saw
|