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Today's Stichomancy for Franz Kafka

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Frankenstein by Mary Shelley:

antique glory of Italy--one among the schiavi ognor frementi, who exerted himself to obtain the liberty of his country. He became the victim of its weakness. Whether he had died or still lingered in the dungeons of Austria was not known. His property was confiscated; his child became an orphan and a beggar. She continued with her foster parents and bloomed in their rude abode, fairer than a garden rose among dark-leaved brambles. When my father returned from Milan, he found playing with me in the hall of our villa a child fairer than pictured cherub --a creature who seemed to shed radiance from her looks and whose form and motions were lighter than the chamois of the hills. The apparition was soon explained. With his permission my mother prevailed on her


Frankenstein
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Astoria by Washington Irving:

arrive among the Indians, from whom the river takes its name. Among these they would be sure to meet some of the Sioux tribe. These would appraise their relatives, the piratical Sioux of the Missouri, of the approach of a band of white traders; so that, in the spring time, they would be likely to be waylaid and robbed on their way down the river, by some party in ambush upon its banks.

Even should this prove to be the Quicourt or Rapid River, it would not be prudent to winter much further down upon its banks, as, though they might be out of the range of the Sioux, they would be in the neighborhood of the Poncas, a tribe nearly as dangerous. It was resolved, therefore, since they must winter

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Children of the Night by Edwin Arlington Robinson:

Of wasted excellence; and every dream Has in it something of an ageless fact That flouts deformity and laughs at years.

XVII

We lack the courage to be where we are: -- We love too much to travel on old roads, To triumph on old fields; we love too much To consecrate the magic of dead things, And yieldingly to linger by long walls Of ruin, where the ruinous moonlight That sheds a lying glory on old stones

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Persuasion by Jane Austen:

might not be learned and bookish enough to please Lady Russell, and that therefore, she persuaded Anne to refuse him."

The sounds were retreating, and Anne distinguished no more. Her own emotions still kept her fixed. She had much to recover from, before she could move. The listener's proverbial fate was not absolutely hers; she had heard no evil of herself, but she had heard a great deal of very painful import. She saw how her own character was considered by Captain Wentworth, and there had been just that degree of feeling and curiosity about her in his manner which must give her extreme agitation.

As soon as she could, she went after Mary, and having found,


Persuasion