Today's Stichomancy for Friedrich Nietzsche

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Economist by Xenophon:

concealed: with husbandry it is different. Here the man who has the most skill in planting will take most pleasure in being watched by others; and so too the most skilful sower. Ask any question you may choose about results thus beautifully wrought, and not one feature in the whole performance will the doer of it seek to keep concealed. To such height of nobleness (he added), Socrats, does husbandry appear, like some fair mistress, to conform the soul and disposition of those concerned with it.

[8] "Nay, if you will but listen, Socrates, with husbandry it is not the same as with the other arts."

[9] {katatribenai}, "worn out." See "Mem." III. iv. 1; IV. vii. 5. Al.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mucker by Edgar Rice Burroughs:

elephant couldn't have forced the bonds they placed upon them. Then they carried them down cellar and when they had come up again Mrs. Shorter barred the cellar door.

"I reckon they won't get out of there very fast," she said. "And now you two boys run along. Got any money?" and without waiting for a reply she counted twenty-five dollars from the roll she had tucked in the front of her waist and handed them to Billy.

"Nothin' doin'," said he; "but t'anks just the same."

"You got to take it," she insisted. "Let me make believe I'm givin' it to my boy, Eddie--please," and the tears that came

The Mucker

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

observance of rigid devotional practices and in obedience to a rule of life full of precepts and moral laws. And now suddenly he was dropped down in this actress's dressing room in the presence of this undraped courtesan.

He, who had never seen the Countess Muffat putting on her garters, was witnessing, amid that wild disarray of jars and basins and that strong, sweet perfume, the intimate details of a woman's toilet. His whole being was in turmoil; he was terrified by the stealthy, all-pervading influence which for some time past Nana's presence had been exercising over him, and he recalled to mind the pious accounts of diabolic possession which had amused his early years. He was a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

eye turned upon their prey, they did not note my soundless approach, so that I was upon them with my great long-sword and four of them lay dead ere they knew that I was among them.

For an instant they recoiled before my terrific onslaught, and in that instant the green warrior rose to the occasion and, springing to my side, laid to the right and left of him as I had never seen but one other warrior do, with great circling strokes that formed a figure eight about him and that never stopped until none stood living to oppose him, his keen blade passing through flesh and bone and metal as though each had been alike thin air.

The Gods of Mars