| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tanach: 1_Kings 20: 18 And he said: 'Whether they are come out for peace, take them alive; or whether they are come out for war, take them alive.'
1_Kings 20: 19 So these went out of the city, the young men of the princes of the provinces, and the army which followed them.
1_Kings 20: 20 And they slew every one his man; and the Arameans fled, and Israel pursued them; and Ben-hadad the king of Aram escaped on a horse with horsemen.
1_Kings 20: 21 And the king of Israel went out, and smote the horses and chariots, and slew the Arameans with a great slaughter.
1_Kings 20: 22 And the prophet came near to the king of Israel, and said unto him: 'Go, strengthen thyself, and mark, and see what thou doest; for at the return of the year the king of Aram will come up against thee.'
1_Kings 20: 23 And the servants of the king of Aram said unto him: 'Their God is a God of the hills; therefore they were stronger than we; but let us fight against them in the plain, and surely we shall be stronger than they.
1_Kings 20: 24 And do this thing: take the kings away, every man out of his place, and put governors in their room:
1_Kings 20: 25 and number thee an army, like the army that thou hast lost, horse for horse, and chariot for chariot; and we will fight against them in the plain, and surely we shall be stronger than they.' And he hearkened unto their voice, and did so.
 The Tanach |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memories and Portraits by Robert Louis Stevenson: when he was a great pedestrian and no enemy to good claret, he may
have pointed with these minute guns his allocutions to the bench.
His humour was perfectly equable, set beyond the reach of fate;
gout, rheumatism, stone and gravel might have combined their forces
against that frail tabernacle, but when I came round on Sunday
evening, he would lay aside Jeremy Taylor's LIFE OF CHRIST and
greet me with the same open brow, the same kind formality of
manner. His opinions and sympathies dated the man almost to a
decade. He had begun life, under his mother's influence, as an
admirer of Junius, but on maturer knowledge had transferred his
admiration to Burke. He cautioned me, with entire gravity, to be
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