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Today's Stichomancy for Fritz Lang

The first excerpt represents the past or something you must release, and is drawn from The Riverman by Stewart Edward White:

heave and shrugging of the jam, and the low threatening gurgle of hurrying waters reminded the toil-weary men of the enemy's continued activity. Over beyond the rise of land that lay between the river and Stearn's Bayou could be seen the cloud of mingled smoke and steam that marked the activities of the dredge. For ten minutes they rested in the solace of tobacco. Orde was apparently more at ease than any of the rest, but each instant he expected to hear the premonitory CRACK that would sound the end of everything. Finally he yawned, knocked the ashes from his pipe, and got to his feet.

"Now," said he, a new ring in his voice, "come on and let's get something DONE!"

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

this great city have their foundations in filth, which the powers that be have not yet seriously attempted to enclose with mortar walls solid enough to prevent even the most fetid mud from filtering through the soil, poisoning the wells, and maintaining subterraneously to Lutetia the tradition of her celebrated name. Half of Paris sleeps amidst the putrid exhalations of courts and streets and sewers. But let us turn to the vast saloons, gilded and airy; the hotels in their gardens, the rich, indolent, happy moneyed world. There the faces are lined and scarred with vanity. There nothing is real. To seek for pleasure is it not to find /ennui/? People in society have at an early age warped their nature. Having no occupation other than to wallow in pleasure,


The Girl with the Golden Eyes
The third excerpt represents the future or something you must embrace, and is drawn from Menexenus by Plato:

their fathers' virtues; for the sake of the omen, she would have them from the first begin to rule over their own houses arrayed in the strength and arms of their fathers. And as for the dead, she never ceases honouring them, celebrating in common for all rites which become the property of each; and in addition to this, holding gymnastic and equestrian contests, and musical festivals of every sort. She is to the dead in the place of a son and heir, and to their sons in the place of a father, and to their parents and elder kindred in the place of a guardian--ever and always caring for them. Considering this, you ought to bear your calamity the more gently; for thus you will be most endeared to the dead and to the living, and your sorrows will heal and be healed. And now do you and all,