Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Fritz Lang

The first excerpt represents the past or something you must release, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

terrible lesson he is so slow to learn, that, Nature is only conquered by obeying her.

And bear in mind one thing more. Man has his courtesies of war, and his chivalries of war; he does not strike the unarmed man; he spares the woman and the child. But Nature is as fierce when she is offended, as she is bounteous and kind when she is obeyed. She spares neither woman nor child. She has no pity; for some awful, but most good reason, she is not allowed to have any pity. Silently she strikes the sleeping babe, with as little remorse as she would strike the strong man, with the spade or the musket in his hand. Ah! would to God that some man had the pictorial

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Road to Oz by L. Frank Baum:

length lay upon the gray sand except the after part, which still rested on the strip of grass.

"Get in, my dears," said the shaggy man; "I'm sure I can manage this boat as well as any sailor. All you need do is sit still in your places."

Dorothy got in, Toto in her arms, and sat on the bottom of the boat just in front of the mast. Button-Bright sat in front of Dorothy, while Polly leaned over the bow. The shaggy man knelt behind the mast. When all were ready he raised the sail half-way. The wind caught it. At once the sand-boat started forward--slowly at first, then with added speed. The shaggy man pulled the sail way up, and they flew so fast over the Deadly Desert that every one held fast to


The Road to Oz
The third excerpt represents the future or something you must embrace, and is drawn from Poems by T. S. Eliot:

Then how should I begin To spit out all the butt-ends of my days and ways? And how should I presume?

And I have known the arms already, known them all-- Arms that are braceleted and white and bare (But in the lamplight, downed with light brown hair!) Is it perfume from a dress That makes me so digress? Arms that lie along a table, or wrap about a shawl. And should I then presume? And how should I begin?