Today's Stichomancy for Fritz Lang

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Hamlet by William Shakespeare:

As from the body of Contraction pluckes The very soule, and sweete Religion makes A rapsidie of words. Heauens face doth glow, Yea this solidity and compound masse, With tristfull visage as against the doome, Is thought-sicke at the act

Qu. Aye me; what act, that roares so lowd, & thunders in the Index

Ham. Looke heere vpon this Picture, and on this, The counterfet presentment of two Brothers: See what a grace was seated on his Brow,

Hamlet

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

young fellow he had distrusted and disliked from the first.

However that might have been, the silence was not very prolonged. He took another oblique step.

"I reckon I had no more than a two-mile pull to your ship. Not a bit more."

"And quite enough, too, in this awful heat," I said.

Another pause full of mistrust followed. Necessity, they say, is mother of invention, but fear, too, is not barren of ingenious suggestions. And I was afraid he would ask me point-blank for news of my other self.

"Nice little saloon, isn't it?" I remarked, as if noticing for the

'Twixt Land & Sea

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catherine de Medici by Honore de Balzac:

the gardens, her mind a prey to painful thoughts. She saw that in all probability one of the greatest captains of the age would be foisted that very day into the place and power of her son, the king of France, under the formidable title of lieutenant-general of the kingdom. Before this peril she stood alone, without power of action, without defence. She might have been likened to a phantom, as she stood there in her mourning garments (which she had not quitted since the death of Henri II.) so motionless was her pallid face in the grasp of her bitter reflections. Her black eyes floated in that species of indecision for which great statesmen are so often blamed, though it comes from the vast extent of the glance with which they embrace all

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Shakespeare's Sonnets by William Shakespeare:

To set a form upon desired change, As I'll myself disgrace; knowing thy will, I will acquaintance strangle, and look strange; Be absent from thy walks; and in my tongue Thy sweet beloved name no more shall dwell, Lest I, too much profane, should do it wrong, And haply of our old acquaintance tell. For thee, against my self I'll vow debate, For I must ne'er love him whom thou dost hate.

Then hate me when thou wilt; if ever, now;