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Today's Stichomancy for Galileo Galilei

The first excerpt represents the past or something you must release, and is drawn from Symposium by Plato:

are as yet intemperate only that they may become temperate, and of preserving their love; and again, of the vulgar Polyhymnia, who must be used with circumspection that the pleasure be enjoyed, but may not generate licentiousness; just as in my own art it is a great matter so to regulate the desires of the epicure that he may gratify his tastes without the attendant evil of disease. Whence I infer that in music, in medicine, in all other things human as well as divine, both loves ought to be noted as far as may be, for they are both present.

The course of the seasons is also full of both these principles; and when, as I was saying, the elements of hot and cold, moist and dry, attain the harmonious love of one another and blend in temperance and harmony, they

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Island of Doctor Moreau by H. G. Wells:

noise in his throat. I recognised the Ape-man: I had indeed already identified his voice, and two of the white-swathed brown-featured creatures I had seen in Montgomery's boat. With these were the two dappled brutes and that grey, horribly crooked creature who said the Law, with grey hair streaming down its cheeks, heavy grey eyebrows, and grey locks pouring off from a central parting upon its sloping forehead,--a heavy, faceless thing, with strange red eyes, looking at us curiously from amidst the green.

For a space no one spoke. Then Montgomery hiccoughed, "Who--said he was dead?"


The Island of Doctor Moreau
The third excerpt represents the future or something you must embrace, and is drawn from Men of Iron by Howard Pyle:

As the time for the duel approached, the days seemed to drag themselves along upon leaden feet; nevertheless, the days came and went, as all days do, bringing with them, at last, the fateful 3d of September.

Early in the morning, while the sun was still level and red, the Prince himself, unattended, came to Myles's apartment, in the outer room of which Gascoyne was bustling busily about arranging the armor piece by piece; renewing straps and thongs, but not whistling over his work as he usually did. The Prince nodded to him, and then passed silently through to the inner chamber. Myles was upon his knees, and Father Ambrose, the Prince's chaplain,


Men of Iron