Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Galileo Galilei

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Les Miserables by Victor Hugo:

a sort of serious and almost austere dignity suddenly overwhelmed her at certain times, and there was nothing more singular and disturbing than to see gayety become so suddenly extinct there, and meditation succeed to cheerfulness without any transition state. This sudden and sometimes severely accentuated gravity resembled the disdain of a goddess. Her brow, her nose, her chin, presented that equilibrium of outline which is quite distinct from equilibrium of proportion, and from which harmony of countenance results; in the very characteristic interval which separates the base of the nose from the upper lip, she had that imperceptible and charming fold, a mysterious sign of chastity, which makes Barberousse fall in love


Les Miserables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Life in the Iron-Mills by Rebecca Davis:

his by rights, and that all the world had gone wrong. That night, after the trial, a gentleman came to see him here, name of Mitchell,--him as he stole from. Talked to him for an hour. Thought he came for curiosity, like. After he was gone, thought Wolfe was remarkable quiet, and went into his cell. Found him very low; bed all bloody. Doctor said he had been bleeding at the lungs. He was as weak as a cat; yet if ye'll b'lieve me, he tried to get a-past me and get out. I just carried him like a baby, and threw him on the pallet. Three days after, he tried it again: that time reached the wall. Lord help you! he fought like a tiger,--giv' some terrible blows. Fightin' for life, you


Life in the Iron-Mills
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The War in the Air by H. G. Wells:

Official-looking persons had signalled to him by means of flag flapping and arm waving. On the whole a guttural variant of English prevailed in the sentences that alighted upon the balloon; chiefly he was told to "gome down or you will be shot."

"All very well," said Bert, "but 'ow?"

Then they shot a little wide of the car. Latterly he had been shot at six or seven times, and once the bullet had gone by with a sound so persuasively like the tearing of silk that he had resigned himself to the prospect of a headlong fall. But either they were aiming near him or they had missed, and as yet nothing was torn but the air about him--and his anxious soul.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beast in the Jungle by Henry James:

so successfully cultivated and to which our whole account of him is a reference, it was characteristic that his complications, such as they were, had never yet seemed so as at this crisis to thicken about him, even to the point of making him ask himself if he were, by any chance, of a truth, within sight or sound, within touch or reach, within the immediate jurisdiction, of the thing that waited.

When the day came, as come it had to, that his friend confessed to him her fear of a deep disorder in her blood, he felt somehow the shadow of a change and the chill of a shock. He immediately began to imagine aggravations and disasters, and above all to think of her peril as the direct menace for himself of personal privation.