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Today's Stichomancy for George Bernard Shaw

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Riders of the Purple Sage by Zane Grey:

direction he had gone. His footsteps made no sound in the deep grass, and he approached close without her being aware of his presence. Whitie lay on the ground near where she sat, and he manifested the usual actions of welcome, but the girl did not notice them. She seemed to be oblivious to everything near at hand. She made a pathetic figure drooping there, with her sunny hair contrasting so markedly with her white, wasted cheeks and her hands listlessly clasped and her little bare feet propped in the framework of the rude seat. Venters could have sworn and laughed in one breath at the idea of the connection between this girl and Oldring's Masked Rider. She was the victim of more than


Riders of the Purple Sage
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Reason Discourse by Rene Descartes:

of their clearness and distinctness are real, and proceed from God, must to that extent be true. Accordingly, whereas we not infrequently have ideas or notions in which some falsity is contained, this can only be the case with such as are to some extent confused and obscure, and in this proceed from nothing (participate of negation), that is, exist in us thus confused because we are not wholly perfect. And it is evident that it is not less repugnant that falsity or imperfection, in so far as it is imperfection, should proceed from God, than that truth or perfection should proceed from nothing. But if we did not know that all which we possess of real and true proceeds from a Perfect and Infinite Being, however clear and distinct our ideas might be, we should have no ground on that account for the assurance that they possessed


Reason Discourse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

hand on Anne's shoulder when Marilla had gone out.

"Don't give up all your romance, Anne," he whispered shyly, "a little of it is a good thing--not too much, of course--but keep a little of it, Anne, keep a little of it."

CHAPTER XXIX

An Epoch in Anne's Life

Anne was bringing the cows home from the back pasture by way of Lover's Lane. It was a September evening and all the gaps and clearings in the woods were brimmed up with ruby sunset light. Here and there the lane was splashed with it, but for the most part it was already quite shadowy beneath the maples, and the


Anne of Green Gables
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Thus Spake Zarathustra by Friedrich Nietzsche:

again alone, when he heard behind him a new voice which called out: "Stay! Zarathustra! Do wait! It is myself, forsooth, O Zarathustra, myself, thy shadow!" But Zarathustra did not wait; for a sudden irritation came over him on account of the crowd and the crowding in his mountains. "Whither hath my lonesomeness gone?" spake he.

"It is verily becoming too much for me; these mountains swarm; my kingdom is no longer of THIS world; I require new mountains.

My shadow calleth me? What matter about my shadow! Let it run after me! I--run away from it."

Thus spake Zarathustra to his heart and ran away. But the one behind followed after him, so that immediately there were three runners, one after


Thus Spake Zarathustra