Today's Stichomancy for George Clooney

When the water in the kettle bubbled, Ozma drew from her bosom two tiny packets containing powders. These powders she threw into the kettle and after briskly stirring the contents with a branch from a macaroon bush, Ozma poured the mystic broth upon a broad platter which Jinjur had placed upon the table. As the broth cooled it became as silver, reflecting all objects from its smooth surface like a mirror.

While her companions gathered around the table, eagerly attentive -- and Dorothy even held little Toto in her arms that he might see -- Ozma waved her wand

The Tin Woodman of Oz

to bear all the expenses, the capital invested by David to be confined to the expenses of procuring the patent, and his share of the profits to be fixed at twenty-five per cent. You are a clear-headed and very sensible woman, qualities which are not often found combined with great beauty; think over these proposals, and you will see that they are very favorable."

Poor Eve in her despair burst into tears."Ah, sir! why did you not come yesterday evening to tell me this? We should have been spared disgrace and--and something far worse----"

"I was talking with the Cointets until midnight. They are behind Metivier, as you must have suspected. But how has something worse than

writer. (2) The resolution of wealth into its simplest implements going on to infinity is a subtle and refined thought. (3) That wealth is relative to circumstances is a sound conception. (4) That the arts and sciences which receive payment are likewise to be comprehended under the notion of wealth, also touches a question of modern political economy. (5) The distinction of post hoc and propter hoc, often lost sight of in modern as well as in ancient times. These metaphysical conceptions and distinctions show considerable power of thought in the writer, whatever we may think of his merits as an imitator of Plato.

ERYXIAS

by

parallel oration of Socrates. First, passionate love is overthrown by the sophistical or interested, and then both yield to that higher view of love which is afterwards revealed to us. The extreme of commonplace is contrasted with the most ideal and imaginative of speculations. Socrates, half in jest and to satisfy his own wild humour, takes the disguise of Lysias, but he is also in profound earnest and in a deeper vein of irony than usual. Having improvised his own speech, which is based upon the model of the preceding, he condemns them both. Yet the condemnation is not to be taken seriously, for he is evidently trying to express an aspect of the truth. To understand him, we must make abstraction of morality and of the Greek manner of regarding the relation of the sexes. In this, as in