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Today's Stichomancy for George S. Patton

The first excerpt represents the past or something you must release, and is drawn from The Call of the Canyon by Zane Grey:

time. Come on."

It was not so much his words as his tone and look that roused Carley. Had he resented her loyalty to the city of her nativity? Always there was a little rift in the lute. Had his tone and look meant that Flo might catch him if Carley could not? Absurd as the idea was, it spurred her to recklessness. Her mustang did not need any more than to know she wanted him to run. The road was of soft yellow earth flanked with green foliage and overspread by pines. In a moment she was racing at a speed she had never before half attained on a horse. Down the winding road Glenn's big steed sped, his head low, his stride tremendous, his action beautiful. But Carley saw the distance between them diminishing. Calico was overtaking the bay.


The Call of the Canyon
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Coxon Fund by Henry James:

at this than she had looked at all, saying she hoped such a preference wouldn't make me dishonest.

It made me, to begin with, very restless--made me, instead of going straight to the station, fidget a little about that many-coloured Common which gives Wimbledon horizons. There was a worry for me to work off, or rather keep at a distance, for I declined even to admit to myself that I had, in Miss Anvoy's phrase, been saddled with it. What could have been clearer indeed than the attitude of recognising perfectly what a world of trouble The Coxon Fund would in future save us, and of yet liking better to face a continuance of that trouble than see, and in fact contribute to, a deviation

The third excerpt represents the future or something you must embrace, and is drawn from Kenilworth by Walter Scott:

fully right, my kinsman. Thou hast got a gay horse; see thou light not unaware upon a halter--or, if thou wilt needs be made immortal by means of a rope, which thy purpose of following this gentleman renders not unlikely, I charge thee to find a gallows as far from Cumnor as thou conveniently mayest. And so I commend you to your saddle."

The master of the horse and his new retainer mounted accordingly, leaving the landlord to conclude his ill-omened farewell, to himself and at leisure; and set off together at a rapid pace, which prevented conversation until the ascent of a steep sandy hill permitted them to resume it.


Kenilworth