| The first excerpt represents the past or something you must release, and is drawn from Egmont by Johann Wolfgang Von Goethe: intention to limit their power for their own good; if necessary, to force
upon them their salvation: to sacrifice the more dangerous burghers in
order that the rest may find repose, and enjoy in peace the blessing of a
wise government, This is his resolve; this I am commissioned to announce
to the nobles; and in his name I require from them advice, not as to the
course to be pursued--on that he is resolved--but as to the best means of
carrying his purpose into effect.
Egmont. Your words, alas, justify the fears of the people, the universal
fear! The king has then resolved as no sovereign ought to resolve. In order
to govern his subjects more easily, he would crush, subvert, nay, ruthlessly
destroy, their strength, their spirit, and their self-respect! He would violate
 Egmont |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gobseck by Honore de Balzac: " 'You shall have your money to-morrow,' he said, 'have the diamonds
in readiness,' and he went.
" 'There goes one who looks to me to be as stupid as an honest man,'
Gobseck said coolly when the Count had gone.
" 'Say rather stupid as a man of passionate nature.'
" 'The Count owes you your fee for drawing up the agreement!' Gobseck
called after me as I took my leave.
"One morning, a few days after the scene which initiated me into the
terrible depths beneath the surface of the life of a woman of fashion,
the Count came into my private office.
" 'I have come to consult you on a matter of grave moment,' he said,
 Gobseck |
The third excerpt represents the future or something you must embrace, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs: Across the trail a vine moved. Werper's eyes instantly
centered upon the spot. There was no wind to stir the
foliage in the depths of the jungle. Again the vine
moved. In the mind of the Belgian only the presence of
a sinister and malevolent force could account for the
phenomenon.
The man's eyes bored steadily into the screen of leaves
upon the opposite side of the trail. Gradually a form
took shape beyond them--a tawny form, grim and
terrible, with yellow-green eyes glaring fearsomely
across the narrow trail straight into his.
 Tarzan and the Jewels of Opar |