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Today's Stichomancy for George Washington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from House of Mirth by Edith Wharton:

it happened, I made a lucky 'turn'--is that what you call it? For you make a great many yourself, I believe."

She was smiling back at him now, relaxing the tension of her attitude, and admitting him, by imperceptible gradations of glance and manner, a step farther toward intimacy. The protective instinct always nerved her to successful dissimulation, and it was not the first time she had used her beauty to divert attention from an inconvenient topic.

When Mr. Rosedale took leave, he carried with him, not only her acceptance of his invitation, but a general sense of having comported himself in a way calculated to advance his cause. He

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The War in the Air by H. G. Wells:

up--'ands full of 'air-brushes and things, and swearin' at me. A regular gentleman! Now 'e's 'arfway to a wild man. What am I to do with 'im? What the 'ell am I to do with 'im? I can't leave 'im 'ave that flying-machine; that's a bit too good, and if I don't kill 'im, 'e'll jest 'ang about this island and starve....

"'E's got a sword, of course"....

He resumed his philosophising after he had lit a cigarette.

"War's a silly gaim, Kitty. It's a silly gaim! We common people--we were fools. We thought those big people knew what they were up to--and they didn't. Look at that chap! 'E 'ad all Germany be'ind 'im, and what 'as 'e made of it? Smeshin' and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wizard of Oz by L. Frank Baum:

these strange people. Her tears seemed to grieve the kind-hearted Munchkins, for they immediately took out their handkerchiefs and began to weep also. As for the little old woman, she took off her cap and balanced the point on the end of her nose, while she counted "One, two, three" in a solemn voice. At once the cap changed to a slate, on which was written in big, white chalk marks:

"LET DOROTHY GO TO THE CITY OF EMERALDS"

The little old woman took the slate from her nose, and having read the words on it, asked, "Is your name Dorothy, my dear?"

"Yes," answered the child, looking up and drying her tears.

"Then you must go to the City of Emeralds. Perhaps Oz will help you."


The Wizard of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales of the Klondyke by Jack London:

flourishing his sack in the lieutenant's face.

"Covaire the bet," Joy prompted.

He obeyed, shrugging his shoulders in token that he yielded, not to the dictate of his reason, but to her charm. Joy nodded to reassure him.

All noise ceased. Men paused in the placing of bets.

Yawing and reeling and plunging, like luggers before the wind, the sleds swept wildly upon them. Though he still kept his leader up to the tail of Harrington's sled, Louis Savoy's face was without hope. Harrington's mouth was set. He looked neither to the right nor to the left. His dogs were leaping in perfect rhythm, firm-