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Today's Stichomancy for Groucho Marx

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Modest Proposal by Jonathan Swift:

among us, sacrificing the poor innocent babes, I doubt, more to avoid the expence than the shame, which would move tears and pity in the most savage and inhuman breast.

The number of souls in this kingdom being usually reckoned one million and a half, of these I calculate there may be about two hundred thousand couple whose wives are breeders; from which number I subtract thirty thousand couple, who are able to maintain their own children, (although I apprehend there cannot be so many, under the present distresses of the kingdom) but this being granted, there will remain an hundred and seventy thousand breeders. I again subtract fifty thousand, for those women who


A Modest Proposal
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moran of the Lady Letty by Frank Norris:

which she was to be warped off was run out to the ledge of the rock; fresh water was taken on; provisions for the marooned beach- combers were cached upon the beach; the dory was taken aboard, gaskets were cast off, and hatches battened down.

At high tide, all hands straining upon the warp, the schooner was floated off, and under touch of the lightest airs drew almost imperceptibly away from the land. They were quite an hour crawling out to the heads of the bay. But here the breeze was freshening. Moran took the wheel; the flying-jib and staysail were set; the wake began to whiten under the schooner's stern, the forefoot sang; the Pacific opened out more and more; and by 12:30

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Camille by Alexandre Dumas:

the daylight, the deaf who has never heard the harmonies of nature, the dumb who has never found a voice for his soul, and, under a false cloak of shame, you will not pity this blindness of heart, this deafness of soul, this dumbness of conscience, which sets the poor afflicted creature beside herself and makes her, in spite of herself, incapable of seeing what is good, of bearing the Lord, and of speaking the pure language of love and faith.

Hugo has written Marion Delorme, Musset has written Bernerette, Alexandre Dumas has written Fernande, the thinkers and poets of all time have brought to the courtesan the offering of their pity, and at times a great man has rehabilitated them with his


Camille
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Pair of Blue Eyes by Thomas Hardy:

She began to rule him so imperiously now that, accustomed to analysis, he almost trembled at the possible result of the introduction of this new force among the nicely adjusted ones of his ordinary life. He became restless: then he forgot all collateral subjects in the pleasure of thinking about her.

Yet it must be said that Knight loved philosophically rather than with romance.

He thought of her manner towards him. Simplicity verges on coquetry. Was she flirting? he said to himself. No forcible translation of favour into suspicion was able to uphold such a theory. The performance had been too well done to be anything but


A Pair of Blue Eyes